Guitarhacker
Middleman
I would add some free advice for the OP. Go to Youtube and type in "Pensado's Place". If you have the time listen to all 60+ episodes which are a master class in mixing. If you don't have the time, as they are 1 hour each, go to his site and just review the ITL (Into the Lair) outtakes from the videos. Those are the best sources of mixing information anywhere and they are free. Clearing the middle of the mix is one of his classics.
Know that, mixing is what you do with the tracks in front of you. If you don't have good tracks, you can end up chasing your tail. I would charge you with learning how to capture the source well. If it sounds good after tracking, the mixing process becomes an artistic endeavor versus a mercy mission. Many times a new learner will be challenged with poorly recorded tracks (wrong space, wrong mic, unfocused performance) and then move to mixing while learning all the tools. The chances of success or satisfaction will be very low and your frustration high. Teaching your ear to understand when you have a good sounding track vs an amateur sounding track is important.
As makeshift points out. Half the opinions you will get from people on the internet are guys listening on their laptop or earbuds. Mix opinions can be all over the map based on this alone.
I've visited a few web sites that have educational style videos like Pensado's Place. All sorts of music related topics are discussed in detail by experts in the field.
Surely it is not an inconvenience to "set in" on a few of these master class sessions to learn something.... is it?
You should not have to listen to all of them to get the information that will help take your mixes to the next level. Most of the seminar videos I have seen on the sites I inhabit (aside from here) are all very aptly named to make it easy to find the right topic I need.
Hi Herb,
I don't think it's an inconvenience to check any of this stuff out. There are loads of things you can pick up everywhere, that's for sure. The problem I have is, none of the videos work with YOUR particular sounds. For example, if we watch a video that shows a high pass on a guitar from 200 hz on down, that doesn't mean YOU need to do that on YOUR sound. But, how much will you need to do and what are the bad sources in your sound? See, my whole point in addressing this is....ok, wait..let me try this another way. :)
Ok, so we're in Herb Hartley Studios' this morning and we're about to record a new piece. :) Do you have your own guitar sounds, bass sounds and vocal sounds that you sort of use all the time? Like you know, the sounds that you'd consider the "safe Herb Hartley sounds" you are confident with that you know sort of work?
I think it's safe to say we ALL have those sorts of sounds, right? Ok...so you're with me so far. If we watch videos of people working on other sounds, it can give you an idea on what to work on, but it never totally gives you the answers on YOUR sounds. Having someone literally pick apart my sounds forced me to create new ones because the ones I thought were good, weren't all that. But I wouldn't have known until someone pointed things out to me.
As you mature in this field, you know off the bat whether or not something is going to work. But, to me I sincerely feel all of this starts with YOUR sounds so you can really get an idea on what you're faced with. If not, we keep on making the same mistakes until we either decide to change up our sounds, buy something new, or someone points out why you may not want to use that sound....know what I mean?
So for those having problems with mixing, it starts with the sounds they print. If someone doesn't bring to their attention that those sounds need work or show them where they may need to work, nothing changes until the person changes the sound. When you learn what to listen for, it totally changes the playing field. This is why I can't get much out of those other recording videos unless they deal with some sort of technique that would be "in general".
But we sincerely have to learn how to use what we have. This makes us grow so much faster. It also makes you search for different avenues as well as possibly updating your gear where if you don't get this sort of feedback, nothing changes.
Like John T mentioned about that quote I made about "liking my sound". That doesn't make it good if it doesn't work in the mix, know what I mean? Sure, I got lucky and it could be fixed that particular time, but I'd never use that sound today...and now that I listen to that old sound, I can hear why. When we are not schooled on what or how to listen to something, it's amazing how much differently we hear once we we ARE a little more schooled.
There are quite a few old mixes from the 70's and 80's that I loved my entire life. When I listen to them now, I have to totally ignore the mix and listen to the song. That said, I could also be ruined and am over-analyzing things. But, without failure, when I listen to old stuff I liked, the quality just doesn't do anything for me like it once did. And, the first question I ask myself is "ok, I know the band is huge...I know they are loaded with talent and are bigger than I'll ever be, but would I be happy with those sounds?"
If my answer is "absolutely not" in my mind, I've matured as an engineer as long as I can do better. I may not be able to write as good or play as good as that band, but in THIS scenario, we're looking at production/quality. I love Queen, but I'd never shoot for the production they got in Bohemian. And...chances are, because of my way of thinking, I might not ever come up with a mix that is as good. Then again...I might come up with something better, you never know. I actually thought of doing that. Replacing the bass, guitar and drums with my own and leaving Freddie sing on it. I wouldn't have the heart to cut his vocals out and replace them with my own...nor would I be able to hang with that mutant. LOL! But I'd be curious to hear what MY idea of good instrument sounds would be like. I just could never bring myself to do it out of respect. LOL! :)
-Danny