If you want a microphone for witches check out SM7B. Was Jackos vocal mic on Thriller.

teh Warlock microphone.

Some good suggestions have been mentioned, but the first thing you need to do is to *define* specifically what it is you're looking for in that new microphone.
 
Otherwise, you're completely stabbing in the dark... 
 
ie:  
If you're recording rock vocals and you want a little extra "energy" in the upper-mids and fullness in the lower-mids, a tube mic can work wonders.  In this case, a more "flat" mic can sound just that... rather flat.
If you're recording light airy vocals, a C414 would be a good choice.  In this case, something like the SM7B (suited to higher SPL applications) wouldn't be the best choice.

maybe the wizard?

As to a specific mic in your price range:
 
http://www.oktavamodshop.com/product_info.php?products_id=189
 
about $450 w/ shipping.

Thank' all of you, now I have about 10 differents mics that I like.  I found a place where I can rent 4 mics for a couple days to make a choice.  After, what I would pay for the location will be deductible on the price for the one I'll choose.  I'm planning to make this move next week.

Good deal.
 
 

so,
we have the witch,
wizard,
and warlock models.
 
LOL
 
 
i would strongly suggest including the Shure KSM44.
 
my mic of choice in that price range.
 
 
a good alternative, at more than half the cost,
would be the ADK Hamburg.
 
 
these are my two "go-to" mics, after a long search.

+1 for the KSM-44 and you can get a good used one on ebay for about $400.
If you go with a used one make sure it includes the shock mount and case.

Holy man!!!  That witch just killed me...LOL   That phrase from one of you is the truth:     " If you're having trouble getting a decent vocal out of either of those mics with your preamps you listed, then I would look at technique, not equipment."
I just finish listening the same song I recorded with 15 different mics.  I tried every one I had just to leard something out about each of them.  I know that a bass drum mic is made for that but, my CAD NDM11 probably discontined made me a big surprise.
 
But, in that kind of experience you have so many factors around.  I started recorded with my condensers mics so I didn't crank the pre-amp millennia too much.  I ajust from qhat I was hearing in the can.  So, when I was not hearing enought, I was cranking a little more.  When i arrived with the dynamics mics then I cranked alot to hear...so, here is the first little mess...
 
The other big difference was in the execution of the singer...me...on every take, I have some good part and some so so.  well a singer is a singer.  Give an ordinary mic to a good singer and he will make a better job than me with a 10 grant mic...heu...I don't know if i should laught...
finally, yes I have a mic here that can do the job for me.  But, because, maybe someday, I'll have a singer here who will worth the advantage to have  abetter mic, I keep my first idea to buy a new mic.  Agood friend of mine, recommand the AKG Perception 820.  It's a tube mic and I don't have one in my collection and he could be a good room mic for my drums so...
Any way, I realy appreciate all the input I had here and if somebody can say something about that "AKG Perception 820"  I'll be curious to read.
Thank's all