Amicus717
Yeah, I liked this track a lot. Really, really nice. Builds very smoothly and naturally, and I thought the various transitions -- as the piece widened out and got more complex -- were exquisitely put together. I got a chill when the female voice drifted in around the 1:25 mark. Gorgeous. Strong melodies and counter-melodies, and the orchestral vibe at the end was great.
Also, the mix sounded really polished on my monitors, smooth with a nice overall gloss to it.
If I were to offer up any minor points of criticism, I thought the harp at the beginning sounded a bit too mechanical, and the string solo at the very beginning was a bit uneven in tone. But minor points, really.
Thanks Robert! I appreciate the kind words.
The harp at the beginning could have been better, I completely agree. The opening cello solo is from Embertone's Blakus Cello. While I want to love their
Intimate Strings Series libraries, I have found it difficult to get a consistent tone from them. Compared to the new demos for Cinesamples Solo Cello, for example, they are just
too organic and difficult to control. I like them, but I don't love them. In comparison, the solo violin was from Chris Hein and it was a joy to play.
Regards,
Dan