2016/02/23 09:29:03
Moshkito
SF_Green
 
Patrick did tour with Yes.  He's on Yesshows




I have the triple album from the early days (Yessongs), not that one, and never noticed that ... I'll have to listen to that part, though, this would not be a complete version of the side 4 which is 21 minutes long ... so it was likely towards the end when it becomes all melodic, I bet. Which would be easier to duplicate.
2016/02/24 11:27:49
Moshkito
Hi,
 
Ian Anderson's comments on Face to Face with Rick Wakeman, which is a magnificent interview, btw!
 
There is a part in that nice interview that is scary ... for me. When Ian Anderson states that pretty much everything and anything that can be done with the medium of rock music has been done in the 40 or 50 years of its time ... it sends a strong message to you and I. Basically, the medium, is over, and the ability to do anything new is getting to be nearly impossible, and I can see this, specially in a commercial sense of the music ... it now becomes this and that, and tomorrow, yet another half nude body and what not.
 
But, this is also likely to be a way of saying that the design of rock music, and its history, let's say the classic 4 folks - guitar, drums, bass and keys - is over and that combination needs to change and stop altogether until folks learn something new to change and help develop the next 50 years in music history.
 
In looking at music history, one can see how something like this might have been an issue ... somewhere along the way, in Bach's time, someone must have said that any music with a harpsichord was now redundant and boring. Now comes Mozart, and after so many violin concertos, and pieces of music that showed more cleverness than ability, it was also thought that a lot of that "chamber music" thing was over. And now comes the orchestral music ... and by the time we get to Beethoven and Tchaikovsky, we have to have more violins and strings ... orchestras double in size! And 100 years later, composers have already gotten the most out of that combination they could ... and the new breed arrived. 50 years later, it was not enough and electricity gave us the "new music" with jazz and rock. And of course, in the late 60's, this all exploded into a commercial definition that blew out into something else ... everyone and every kitchen sink, was an artist!
 
Needless to say, this changes the ideas and the specs of music and its history, if Ian is right about his assessment ... and he has already been right about one of them, at least ... when the cover of "A Passion Play" kinda suggests that classical music and arts are over ... and of course replaced by rock/jazz as we knew it at the time, and 40 years later ... are totally bored with! THE NEXT PICTURE/COVER, of course,  IS A MELTING MARSHALL STACK? (Rain is gonna kill me!)
 
This brings out ... something I have been listening to recently ... 200 Motels - The Suites ... and it is an astounding piece of music, that Frank Zappa could only relate to his folks and musicians with the context he did, because most of them did not even understand, or care about a lot of modern music and Varese and others ... and this double CD, shows what is likely to be Frank's greatest composition ever ... in its totality, but sadly, it will not be appreciated as much because so many folks only think of Frank as a rock icon, and not a composer of serious music. If you are not convinced by the end of this CD, you are not listening. And hearing a chorale and others go through the lines, and sing them, you get the feeling that this Chorale is doing is as a way to make fun of all the music they had done before that was "serious" and was not half as good as this stuff they are having a great time with! Maybe the words are important after all!
 
in many ways, it is a hugely BOLD comment by Ian, but historically, it is accurate because every 40 to 50 years things change to something else as the older stuff becomes either "golden" and "historical", and the rest dies ... as nothing. From a commercial standpoint, this makes sense, since the top ten thing has always been about copy/copy/copy and not talent or originality. And maybe, it is for us, to open up the ears and minds to that thought in order to see/learn some new things about ourselves and its derivatives in any art forms. This is, for me, one of the reasons why I find it so weird that musicians are so afraid to try experimental and other exercises to improve their rehearsal techniques, which might give a better clue into some new musics and designs for the future.
2016/11/20 10:12:31
Moshkito
Glyn Barnes
Thanks for posting this, a great interview, two of my heros talking to each other! I have had to save the last bit for later and will try to find the others.
 




(Didn't notice this until now ... )
 
I have tried to email and talk to Rick, to see if we can get these interviews on DVD, because they are too nice and well done. Even Ian Anderson's is good, despite him not sounding very positive, but in almost all of these, the folks are very intelligent and communicate really well. 
 
There are some interviews that I have not found, and the list is actually amazing. Many of these I do not know at all, but Neil Innes, Roger Chapman, Dave Cousins, Snowy White, Phil Manzanera, Rod and Colin ... would be really nice for me. Also Andy Fairweather-Low would be interesting since he not only backed up Eric, but Roger Waters.
 
Rod Argent & Colin Blunstone (The Zombies)
Bruce Welch (The Shadows)
Hugh Cornwell (The Stranglers)
Jeff Wayne (War Of The Worlds)
Justin Hawkins (The Darkness & Hot Leg)
Rob Halford & Glenn Tipton (Judas Priest)
Jon Lord (Deep Purple, Whitesnake & More)
Jazz & Blues Legend Chris Barber
Brian Bennett (The Shadows)
Whispering Bob Harris (Old Grey Whistle Test & Radio DJ)
Andy Fairweather-Low (Amen Corner, Eric Clapton's Band & More)
Brian May (Queen)
Dave Cousins (The Strawbs)
Ian Anderson (Jethro Tull)
Neil Innes (Bonzo Dog, Monty Python Music & The Rutles)
Roger Chapman (Family)
Phil Manzanera (Roxy Music & More)
Snowy White (Pink Floyd, Thin Lizzy & More)
Steve Harley (Cockney Rebel)
Scott Gorham (Thin Lizzy)
The 5th Dimension Jerry Donahue (Fairport Convention, Fotheringay & The Gathering)
Dennis Locorriere (The Voice of Dr. Hook)
Biff Byford (Saxon)
Joe Brown
Tony Iommi (Black Sabbath/Heaven &     Hell)
Luke Morely & Danny Bowes     (Thunder)
 
2017/05/28 02:34:10
PabloCruise79
God Bless you.  Found this on YouTube and loved it too.
 
Is there a list of interviews?
 
Would love Rick to interview other members of Yes or vice-versa!
 
Too bad music has dropped in quality over the last decade.
 
And we've just lost Greg Allman and Chris Cornell - RIP!
2017/05/28 02:36:25
PabloCruise79
Close To The Edge - just discovered believe it or not.
 
You and I is now a personal favorite!
2017/05/28 04:29:36
craigb
CraigB
I would like to have interview with Carrie Brownstein of Sleater-Kinney and Portlandia.


Heh, since I made this post over a year ago, I now know two girls that could make this happen (both have recurring parts on Portlandia).
2017/05/28 09:46:24
Glyn Barnes
PabloCruise79

 
Too bad music has dropped in quality over the last decade.
 
Really? There is still a lot of superb music being made. You have to look beyond the mainstream. Innovate bands may struggle but use crowd funding, self publishing, social media promotion to keep their heads above water.
2017/05/29 00:37:48
PabloCruise79
How do you reply directly to a post?
 
Real quick I live in Salem, OR.  Don't know the people on Portlandia but love the show.  I will ask around.
You are right about quality music. Mainstream music sucks but there is other bands I like:
  1. Rival Sons
  2. Blackberry Smoke
Others but I've been out of the game years due to having kids.
 
We are trying to get back in the groove as our life settles down.
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