This feels like a setup!
I'm actually working on rewiring my studio these days, so this will be brief...
As has been pointed out - short of a large console or tape deck, or large amplifiers a 20A circuit will probably handle all your needs. But since you asked: "How do larger studios set up wiring..."
The current general wisdom suggests that a sub-panel be established, here in the USA it is referred to as a separately derived service, and that has connotations, I'm sure, but I am not a licensed electrician, so I leave the code issues to those who understand them fully.
aside - one thing I know for certain is that if you design your power system to be safe it will be quiet, whereas there are ways to design for quiet that are not safe!
aside - ground loops always exist! They are not always a problem, but they always exist. The term ground is often misused. Ground ought to refer only to the earth, and an earth ground is used only to provide protection from lightning or power grid faults. It plays no part in noise reduction. The neutral is bonded to ground at the service entrance because neutral is usually the return leg, and if it is compromised, or if an energized conductor somehow energizes an enclosure we want an alternate, very low impedance return to ground.
I was trying to be brief, wasn't I?
So, in a large facility a separately derived sub-panel provides "technical power" for all devices that might have an effect on the audio. If the facility is really large the sub-panel will have both legs of the single phase that feeds the building, but a single leg can be used. And multiple phases can be used, but that gets really tricky.
Power conditioners - be wary of power conditioners! Depending on the technology employed they can be the single largest contributor to studio electrical noise!
Surge protectors - there are two kinds of surge protectors, series mode, and stuff that doesn't work when you want it to<G>. Avoid the inexpensive surge protectors that simply strap MOVs across each line to ground.
In my last purpose built studio I used four breakers from the "A" leg to power everything but the console, tape decks, and amplifiers. All of the outlets were Isolated Ground outlets, and I went one step further and brought an insulated ground wire from each outlet back to the breaker box ( this was easy since the panel was in a work room adjacent to the studio space - I would probably never do this again though<G>!)
The big power items were all powered from a separate pair of breakers configured for 220VAC. This was an experiment, partly to see if halving the current would have an effect on magnetically coupled noise (it did), and partly to see if there was anything to the "Symmetrical Power" concept (there is.) Most studios today don't have equipment that requires that much power, so it's probably moot.
Does this answer your question?
And Mike, next time feel free to jump in ahead of me!