OK, so I pulled the trigger on the Ample Metal Ray5. I was trying to decide between that and the Fodera Yinyang.
I found a review on the Yinyang that mentioned it had a lot of great articulations and was great for a solo, but that it was harder to fit into a mix.
So I tried the trial of the Ample P-Bass with the riffer. The riffer is great, but I already have the free Ample P-Bass Lite, so I wanted a different sound. I did consider the J-Bass (hey, it's good enough for Geddy Lee!), but I thought I would stick with one of the two newest models. Besides, I already have a real P-Bass.
I like the sound of the Metal Ray, and it is a lot brighter sounding that the P-Bass, but I assume that has a lot to do with the active electronics it was sampled from. So both of the new Ample electric basses are based on active bass models, compared to the standard P-Bass and J-Bass which are passive. If you EQ the sound some you can dull it down.
So the AMR doesn't seem to have a finger mode, just picked, but I found another way around that ...
Reading the manual pays off!!! There is an option for "MIDI Out" that sends out all MIDI generated by the plugin, including the Riffer. You turn that option on, and you can then set any other plugin in your DAW to use the Ample plugin as MIDI input. It even works fine with the free Ample P-Bass, which gets that nice fat fingered sound rockin' the riffs!
I even tried the Riffer with bass synth presets in Z3TA+2, SynthMaster, and Hybrid. What a monster! Just find a kickass bass preset, like a big fat analog bass and have some fun!!!
I'm really liking this!!!