I guess I need to correct a misconception. I...with the exception of a brief period in the early 80s...have made zero dollars writing, producing and mixing my own original vanity tracks. Although I would surely welcome all possible income that might be garnered from them.

I do make (very little) money from producing voiceover and complete spots for radio and TV. And the infrequent custom music for broadcast or corporate use.

I wish to gawd that I could make money with my dim witted noodlins...and perhaps one day I shall. Although I wouldn't bet on it. Not on your tintype.

But thanks for the kind words. I sincerely appreciate them, ol pal.

And I shall groove on:-)

Very nice sparse airiness to this mix Olpal, come across very well here.
 
I think caught the first mix then got called away by the senior management without a chance to say something.
 
Thanks for sharing.

Well fer gawd sakes put up a website, stick a 99 cent price tag on your songs, and I'd buy me some. There are still older people who appreciate good music and like to have legit copies of it.
 
On this song, which is your usual friggin sweet mix, I never got "snaps" - I thought it was a guy banging two woodblocks. You could eq some high end out of that, it might sound more human finger-y.
 
Or, have a group of people actually snapping. Record yourself actually snapping, multiply by 12 or 8 or whatever. I think it would give you the insistence you need, but is would be cooler sounding. Months later, when you are done editing 72,000 snap hits, they can cart you off.  :)
 
Anyway, keep 'em comin' old pal.
 
-Tom
 
 
 
 

You may not get paid for your noodlins, but they sure sound that way. 
 
Another really fine production; clean, airy, sparse yet full.  It's a simple arrangement but you've really nailed it.