I like: XLR inputs go down to -6dBu. (but not as good as Tascam 1800's -2dBu)
Older Roland/Edirol/Cakewalk models had difficulties with hot condenser microphones on louder sound sources. Something often overlooked in the race for high sensitivity.
I dont like: Input mix only turns up level from mic/line inputs. There is no corresponding way of turning down the signal from the DAW (The Quad-Capture thankfully has this feature)
So why is it called Octa-Capture and not Deca-Capture?
Or put another way, why is the Quad-Capture not called Duo-Capture?
Bizarre.