AndertonJust FYI KRK monitors have a huge following among hip-hop engineers/producers, I've been told it's because of the bass translation being accurate. Also very commonly used by rock guys. Also I've reviewed some speakers that are competitive with KRK (obviously I won't name names) and advertised for studio use, but have a significant bass bump around 100 Hz. That definitely flatters the low end, but if you mix on them, it's a mixed bag because the bass will sound right on something like Beatz headphones but not on more accurate listening systems.
I don't listen to hip-hop (or rap) but it's interesting that genre prefers them.
I haven't had any ear fatigue on my yellow cones yet.
I'm not a GC fan but there's one a couple miles away and I had quiet room (very rare there) to assess which ones appealed to my ears.
I still use my Tascam S1010m's (I purchased in 1987 or so) as my second monitoring/mixing source.
Jeez...those puppies along with the 4410's are from the Pleistocene Epoch.
I'm getting the impression that I'm a minority of one because I've
never used headphones during the mixing stage.
Only for tracking and soloing a track looking for artifacts or vocal fur balls with my singing (figure of speech only) and then I'll confirm the mix on other mediums.
I haven't determined if there's a 100hz bump on my KRK's.
"Times have changed"....you got that right.
Thanks for the tips/info.
pinguinotuerto....good hunting to you.....back to topic.