LA2A
And Mr Anderton, i simply don't need the respect of the most recent handful of posters in here, and i would advise you to take your own advice and show me why i should respect you, tangible evidence. What's good for the goose is good for the gander, right?
As I suspected, you have nothing. This is why you have no respect and no credibility.
Unlike you, though, I am not afraid to say what I've done. I've been a public figure since age 9 when I first sang on television, and I don't have to hide behind a phony alias. Or more than one, for that matter.
My book "Electronic Projects for Musicians" (Joe Walsh wrote the forward) got the founders of several companies (including Digidesign) started in electronics; my circuit designs have also been the basis of products from Line 6, Electro-Harmonix, and countless "boutique" pedal manufacturers. Beatles producer George Martin sufficiently liked the draft I sent him for my book "Home Recording for Musicians" that he wrote the foreword for it. I have sold hundreds of thousands of records, worked on David Arkenstone's album "Valley in the Clouds" (that a year after its release was still in Billboard's Top 20 new age charts), played Carnegie Hall, engineered three albums by classical guitarist Linda Cohen and two by classical harpsichordist Kathleen Mcintosh, as a session musician played guitar or synthesizer on records for Epic, Metromedia, Columbia, RCA, United Artists, etc., hand-built my first synthesizer in 1968, invented a mechanically programmable drum machine in 1970 (that I've been told by its new owner still works), scored a rock version of "Midsummer Night's Dream," was staff synthesist for the dance troupe "Group Motion Berlin," co-founded Electronic Musician magazine, written over 20 books on music and technology as well as thousands of articles, was first published when I was 16, had toured most of the US east of the Mississippi by the time I was 21, did sound design for Emu, Steinberg, Wizoo. Ensoniq, Peavey, Roland, DigiTech, Alesis, Gibson, Discrete Drums, M-Audio, Prosonus, of course Cakewalk, and many others, have mastered hundreds of tracks in a variety of genres, done over a thousand videos for Harmony Central, Korg, Avid, Alesis, Cakewalk, TC Electronic, PreSonus, Acoustica, Musicplayer.com, Keyboard magazine, Guitar Center, and others, invented the first multiband distortion for guitarists (which Steinberg virtualized as a plug-in), gave seminars on technology and the arts in 38 states, 10 countries, and in three languages, designed circuits used by Van Halen, the Motels, Tom Scholz, Randy Bachman, Larry Fast (ex-Peter Garbriel), and others, and currently have a bunch of recent music for all to hear on my
YouTube channel. I also invented the punch-in footswitch for recording (at least according to TEAC, when they saw my article that described how to build one for their 3340 4-track machine). Oh yes, and in 1995 I started the first rich media site for musicians, "Sound, Studio, and Stage" under the aegis of AOL.
Unfortunately, that doesn't describe every nuance of what I've done. We can talk about my founding a million-dollar ad agency for silicon valley computer company startups back in the 70s some other time. Or when guitarist Mike Bloomfield likened my guitar playing to John Coltrane. Or my consulting to both Apple and Microsoft. Or my guesting with Air Liquide on guitar over in Europe.
But those are only
accomplishments. Probably some people respect me for those, but I think more people might respect me because I have contributed a lot to this industry. I love it and the people in it, and I believe in spreading the joy of music. ALL of my circuit designs have been "dedicated to the public," not patented, and are free for all to use without having to pay royalties or even give credit because I believe as you reap, so shall you sow. I have done my utmost to share my knowledge in multiple ways using multiple media.
My core belief is that the only raison d'etre for existence is to leave this planet in better shape then when you entered it. Leaving a legacy of knowledge means you live long after your physical body no longer exists.
There's my answer. Checkmate.