I produced an album for Wayne Mills in a similar fashion. We rented a studio in Kennesaw, Ga. The studio was very low budget so we had no drum room, no iso booths, etc. I decided to put the drums in the main room. Everyone else sat in the control room with me. They had bass, rhythm acoustic with a pickup, and lead guitarists. I ran them straight to the board with the lead player using my newly purchased POD 2.0. We sat up a vocal mic for Wayne and went about the business of cutting the tracks live.
This was when Adats were popular and I had 3 of them. The studio also had 3. This allowed me to concentrate on getting the drum tracks that we needed to build on. After the initial recording, a few overdubs were done in the studio using different amps and guitars.
What was interesting was I got the tapes back to my humble little rooms in Macon. Wayne and the band came over for the initial listening. There were a few spots that needed some touching up so I set up some amps and mics. The results were so good with the touch ups it was decided to scrap everything but the initial drum track and really spend some time doing some quality control on the initial guitar and vox tracks.
That first independent released album ended up getting Wayne a viable contract in Nashville. His genre was outlaw country. Sadly, Wayne was shot and killed by a club owner in Nashville last year. I will always have fond memories of that project that seemed so chaotic at the time.