Paul P
200bpm
If any of the people who have dumped on me would like to apologize, I would accept that and continue to respond to your posts, otherwise I don't have time for the petty bs and will put you on block list, if possible.
For what it's worth, I understand your situation. Every time I get around to actually doing something useful with Sonar/etc, I encounter bugs that take me hours to figure out. Z3ta is my current point of reference.
Part of using Sonar is learning all that doesn't work as it should and working around. The documentation is way behind and doesn't address bugs. I'm sure that eventually I'll know all the workarounds and the program will be useful. In the meantime, it's painful.
Samplitude isn't sexy, and it can be obtuse (there is little documentation and the user community is all pro so none of them are using tools like Maschine), but I've been doing this kind of audio manipulation, tempo mapping, tempo/signature changes, transient mapping and applying to clips, and general clip manipulation for 5+ years and the program has not crashed once.
I'm still hopeful I can get SONAR going, but the big surprise for me was that Samp's midi editor is ahead of Sonar's. Another important feature to me is the ability to loop record midi (a la Maschine), and Samp does this beautifully. Can record and edit in real time, draw notes, etc so midi can be composed in a very organic way.
If I want to change project tempo, all I have to do is change the metronome and everything conforms, no funny menus, substeps or whatever.
Sonar has ARA integration and a better UI, but at least I can load Melodyne plug, AD2 and Z3ta+2 into Samp so this won't be a complete loss if I give up on Sonar.