...here's a little story.
It’s the early 90s, and you’re about to do your first album. Amazingly, you’re given a price of a mere $4,000 to record an album from start to finish—with unlimited studio time!—in a world-class recording facility. You can’t believe your good fortune.
You walk into the studio, and see two 48-track Sony DASH machine synched together for a whopping 96 tracks, feeding into a giant console with more channels than you can count. What’s more, there’s per-channel automation with moving faders and behind the console is a wall of rack mount gear with
dozens of sophisticated signal processors. Even better, there are several guitar amps, cabinets, stomp boxes, and over 20 synthesizers and other keyboards sitting around to help flesh out your tracks further.
Of course, you’re thrilled...until the person who let you in says “Well, gotta go. Good luck!” And there you are, all by yourself, with a mountain of equipment you’ve never seen before. You’re not even sure where the on-off switch is.
Panic sets in. How can you possibly record, let alone be productive or inspired, under those circumstances?
Well, you can’t. But the studio scenario I’ve just described is almost exactly what you get with a Windows computer and Sonar X3.
Panic sets in. How can you possibly record, let alone be productive, under those circumstances? Well, you can’t, any more than you can walk into a music store, buy a guitar, and expect to play like Jimi Hendrix by next Tuesday. So it’s no wonder many people are flying blind. How any times have you seen threads like “This software sucks! It doesn’t record!”—until the person realized you need to record-enable a track first. What’s more, today’s musicians have to struggle with operating systems, latency, sample buffers, and more. How are you going to become an instant expert on something like how to apply EQ?
People used to accumulate knowledge over time. I see people with hundreds of plug-ins who haven’t mastered any of them. So learn one dynamics processor, one multiband EQ, and one reverb—you’re covered for 90% of your signal processing needs. Learn a program’s basics, like input and outputs. Eventually, you’ll figure out automation.
You don’t learn how to play an instrument in a day, a week, or even a year. So cut yourself some slack, and expect to take some time to learn how to “play” a virtual studio, too. It's not Sonar's fault, and it's not your fault. You're not trying to learn a program; you're trying to learn the equivalent of what used to be a multi-million dollar recording studio.