DigiCheck is very efficient for recording from RME Interfaces. It writes all the tracks to a single file (a big one). This means there is no issue with threading. When you record 20 tracks with Sonar, it creates and writes to 20 Wave files.
When you record 20 tracks with DigiCheck it records to a single file (which it gives a wave extension).
It saves as it goes so if you get interrupted (power failure) you don't lose it all.
After you hit stop, you hit Save to write the file to a new location. You cannot Start recording again until you clear the old recording. Don't clear the old recording before you've saved it under a new name.
When saving, after you select a file name, you can choose
- a multi-channel File - good for saving it off during the show. Say at set break. You don't care about splitting it yet, you just want it saved off.
- stereo files - good if you want stereo waves exported. I never use this.
- Single Channel Files - splits the multi channel file into separate Wave files (same mono waves you'd record with Sonar). You only choose one file name, but it appends numbers to the file names to keep them distinct.
DigiCheck is definitely the easiest on system resources. I can record substantially more data concurrently with DigiCheck using the same hard drive than I can with Sonar because it is more efficient to write all the data to a single file.
** I don't use DigiCheck's Global Record feature if I'm comping. Obviously, when working in a project where you are listening to synths from within Sonar, you need to be able to hear them. In some cases, I have used DigiCheck and recorded both with DigiCheck and with Sonar. I don't record Midi with DigiCheck (idk why, but I haven't found out how). I do sometimes mix in Sonar with Global Record if I'm doing some sort of performance. I can mix everything to a pair of outs and set them to Loopback and record them using DigiCheck. Then I can record a performance for a video-screen capture. I don't want my headphones on 10, so I don't record the headphones track. I make a separate track which I mix much like the headphones using the TRIM settings inside Total Mix.
Remember you have compressors and EQs you can use in your UFX. Make sure you have the latest drivers and versions of Total Mix and DigiCheck. The April version of Total Mix is really cool (see video in my signature).