tecknot
Well, Dave, it was nice having you here on the CW forums all these years. But as you know, those who complain and announce they are leaving SONAR (X2 in your present case), should just move on and not bash our beloved product. So, stop the trolling...you should know better...
JUST KIDDING! I just wanted take advantage of this kind of tread like most others have. Although I am aware of your use of other DAW software (harvest time, hint, hint), I hope you stick around here. You've always been insightful, level headed with your generous help and suggestions (and "pitches"). I do hope your resolve your problematic system. I hear you can't go wrong with RME. (I use a Focusrite Saffire myself.)
Kind regards,
tecknot
True, I'm not leaving the Cakewalk product but merely rolling back to a version that works for what I have (hardware and 3rd party software-wise).
Truth be told, I don't have a single DAW software product that I am satisfied with as I push into more and more commercial project studio territory. Cakewalk acts like a midi sequence with an audio product bolted onto it. Samplitude acts like an audio recording product with a midi sequencer bolted onto it. And Reaper acts like it was designed by a committee who bolted everything but the kitchen sink to it and there is someone working 24/7 adding new stuff to it.

So if I need midi, I have to start in SONAR. If I feel like I need pristine sound in an audio project and I really want to utilize my MCU controller, Samplitude Pro X seems to work best. Reaper is very powerful as well but the contributor who has created the best driver implementation for the MCU doesn't own an extender so he hasn't created a driver for it.
How I work through this temporary set of problems is driven by money - not that I don't have any (money) to do what I want but where to put the money to get the most bang for the buck. I would rather buy another very nice preamp or channel strip and mics than buy computer gear at this stage because I've found that when I put a client in front of a U87 going into a nice channel strip and they hear a "familiar" tone to their voice that they recognize from commercial recordings, it put's them in the mood to perform and spend money. Add to this, the "time" factor. I don't want to be down while I install gear and troubleshoot unknown hiccups with unfamiliar computer gear.
Thanks everyone for listening to me sort through my thoughts about this.