Thanks a lot, Todd and Paul! And yeah, Cody - we're basically taking theatrical show control techniques and using Sonar to drive it all. The main difference is the automation is dynamic, so instead of calling scenes on the audio console, we're directly controlling fader moves, send levels, etc. There are about 140 defined controller destinations just for audio world.
So....another Conrad, eh? Not many of us around (at least in the US)! Things haven't changed much - I got the same exact thing growing up in the 70s. I guess kids don't have much imagination when it comes to picking on the one with the oddball name
I should mention for the sake of clarification that we did set up the show in the way Bob described, except step #6 hasn't really seemed to work. Maybe I should file a problem report with Cakewalk....