I have Melodyne Editor. It's pretty awesome for a lot of polyphonic sources- as long as there are pretty strong transients (like an acoustic guitar, percussion, many types of pianos). But on distorted guitars you'd wanna make sure you also track it clean- apply Melodyne- then re-amp. On mixes, I'd have to say it aint prime time at all. Some may disagree but I've gotten mostly flange-sounding stuff when I appy it to deep material like full mixes.