I find it unsettling when people make comments like "It took me a few months but I adjusted my workflow and now it's sort of ok". That's what Cakewalk wants you to say. "I know you've done things one way for a long time - we want you to do it this other way now". Why couldn't Cakewalk adjust their product to fir OUR workflow? It was so depressing to me to see all these people complaining about Take Lanes in X2, with so much hope that things would be cleared up in X3, and while I'm reading it I am using X3 and know these concerns were not addressed.
A bigger fallout from Take Lane Hell is that I no longer trust Sonar - I no longer assume that "there must be an easy way". I find so many poor UI decisions as I work that I now go into any new functionality ASSUMING I'm not going to have an easy time of it. That's the best way to lose customers. Get them to go into every scenario pre-pissed off.
I'm trying so hard to play along with Take Lanes. I'm about ready to uninstall and go back to 8.5, or Ableton. I've learned a lot about how to use them, but my god, people.
1. I want to either have a track minimized because I'm not currently editing it, or else I want it expanded INCLUDING IT'S TAKE LANES so that I can see the track in detail. AFAIK, to go from completely minimized to completely open, I have to first click the white double arrow at the right of the track info pane, then click the Take Lanes button. Why this extra step? If I leave the Take Lanes opened, then I can't minimize the track. I first have to close the Take Lanes, only then can I collapse it. So the simple act of moving around tracks and opening and closing them takes twice as many steps. And god forbid I want to minimize ALL tracks. If any take lanes are open, it can't be done, not without going to each track whose take lanes are displayed and close them one by one. Are you kidding me? Ok, then maybe I don't need to look at my project completely minimized anymore. Which would be ok, except, per #3 below, then I'm seeing clips TWICE, once in a take lane and once on the main track row itself. And they're the same frickin' color! After a lot of clip editing, it's then extremely difficult to step back and look at your whole project cleanly at a glance.
2. Why can't I solo more than one Take Lane at a time? This is completely aggravating. I am recording thick multitracked vocal lines. I will record a line maybe half a dozen times, then solo through them to audition them to select the three takes I'm keeping. Soloing through them is easy enough, but then if I want to combine a few takes to decide which three sound best together, I can't. I have to mute the ones I'm not keeping. Argghh. Seems a completely arbitrary and mystifying UI decision.
3. Why are the clips in the composite track row at the top the exact same color as the clips in the track lane? Come on, that's such an obvious UI call. It makes quickly looking through the takes so difficult, because essentially CLIPS APPEAR TWICE. So confusing.
4. It's way WAY too easy to lose takes, by simply dragging a take on top of another. I just have to remember not to accidentally do that, because I could slip up and a take is lost with no warning. And what if I don't notice until 30 actions later? Ok, so I have to be really careful. But it's not as simple as that. Because if I'm dragging a bunch of takes from one track to another, if there an't already enough empty take lanes available at my destination, Sonar just overwrites what's already there. If Sonar is so hot on this Take Lane concept, why not automatically add extra take lanes when necessary, rather than just replace clips? Making it difficult to accidentally delete information without warning should be Job One. It boggles the mind.
5. Vertical screen space is a premium in Sonar, of course. Why is it so hard to delete empty take lanes? Sure, I can right click on a clip in the track, but sometimes that option is available and sometimes not. And if they are ALL empty take lanes, then you can't remove them except by going to the X at the far left and going click click click click click click. Why does there have to be at least one clip in a track before you are allowed to delete empty take lanes?
6. I actually appreciate that when I vertically resize a take lane, that all lanes in the track resize the same (although other people I know have complained about that and I can understand that), but there's this arbitrary minimum height that's much larger than the minimum height of a regular track. Why? If I have twenty tracks with no take lanes I can see them all without scrolling. If I have ONE track with twenty takes in it, I have to scroll to see all the takes.