Thatsastrat
+1 for the wave editing right inside the Daw. Be able to knock down peaks so when you put a compressor on it, it will behave a bunch nicer.
I do that all the time. I drag across a section of the clip, and use DSP (gain or normalize). My main use is for vocals to raise the levels of words or phrases that aren't as loud, but sometimes I'll zero in on "rogue peaks" and deal with them. The clip's waveform does redraw to reflect these changes.
Be able to do entire clip gain or clip reduction with a visible change to how the wave form appears.
If you do that with DSP, you will see a visible change - but
not with automation clip gain, which would be handy. I don't expect to see that in X3e, though, I think it's pretty deep down in the code.
I will also add that I would love to see a mastering solution like Studio One where you can assemble your tracks, rearrange them if you chose, apply final effects, and any changes done to tracks outside of the mastering solution would be updated back into the mastering project. Is that asking to much? You have the power Cakewalk.
That particular feature of being able to have mix changes reflected in the mastering page is really,
really deep in the S1 code. The program was designed around that paradigm, I think in large part because CDs were still a major distribution platform at the time. As a DAW I prefer Sonar, but use S1 as a replacement for Sony's CD Architect. It's not a big deal for me to make any changes to a mix in Sonar, then drag the mix into S1 to assemble a CD.