• SONAR
  • The science of sample rates (p.6)
2014/01/17 11:33:50
John
Goddard
John
Goddard
John
"This is probably a good place to ask this question. I did my first-ever sampling last weekend, and ended up using Audition to do the task. I recorded them 44.1KHz mono (drums), but Audition defaulted to a 32-bit float on saves so I just used that. Is that 32-bit buying anything at all, or just wasting space on me?"
 
 
For recording yes its wasting space. Keep in mind that your converters are incapable of recording anything above 24 bits. So the file that was created is 24 bits plus a lot of padding. This adds nothing useful to the recording at all.  
 
Now for processing it a very different story. However, I am of the opinion that the file on disk doesn't need to be greater than 24 bits even after processing.   I am sure I am alone in this view.  




No, the 32-bit floating-point file data saved by Audition isn't padded, it's just being represented in floating-point format (and using all of those 32 bits for its data) rather than in the fixed-point/integer 24-bit format as was output by the ADC. If it were being saved as 32-bit integer data instead, then yes, it would include padding.
 
Perhaps Noel (if he's still around) would care to confirm whether/when Sonar converts to integer format for disk storage (as WAV files iirc).


Where is the audio that is filling those extra bits coming from? My understanding is that floating point will reduce rounding errors if the file has been processed and with a 32 bit FP audio engine used. Otherwise it will be exactly what the converter created. 




Your understanding is incorrect/incomplete:
 
http://en.wikipedia.org/wiki/Single-precision_floating-point_format
 
 


Sorry I'm not following you. If the recorded data/audio is only 24 bits how can converting it into 32 bits add further data? It will not become audio with any more detail or precision. It is limited to the 24 bits that the A/D converter produced. If it is processed it is possible that the resulting audio will have greater precision due to an internal 32 bit FP audio engine but it will be inaudible.
 
It really should be similar to recording at 16 bits and then converting the 16 bit file to 24 bits. You gain nothing except a patted file with the original 16 and a bunch of zeros filling out the rest of the file. Its like having a container that you fill up. No interpolation occurs simply because the file is bigger.  
 
2014/01/17 11:36:03
John T
Goddard
 
You've misunderstood. A converter is actually sampling its input at a far higher frequency (in the MHz "low radio frequency" band) than "ultrasonic".
 



This is flat out wrong. You're conflating the device's means of operation with its function. A converter is sampling its input at its functioning sample rate. There's all kinds of jiggery pokery going on with how it does that, some of which yer man touches on in his article.
2014/01/17 11:38:20
John T
It seems strange, when complaining that an article isn't rigorous enough, to counter it with hand-wavy misinformation. I'm not sure this is adding very much to general understanding of the topic.
 
2014/01/17 11:41:24
dubdisciple
is "douchey" a word?  If not,it should be.
2014/01/17 11:42:07
dubdisciple
Anyway, this thread has left me more confused then when i started it.
 
2014/01/17 11:43:02
John
Totally agree John T.  
2014/01/17 11:44:10
John T
dubdisciple
Anyway, this thread has left me more confused then when i started it.



That's what's annoying me about it. I dislike obscurantism. And I dislike incorrectness wrapped in obscurantism even more.
2014/01/17 11:52:48
dubdisciple
Goddard initially comes off as perhaps having useful info but it quickly degraded into Skip Bayless like contrarianism.  I think I'm going to stick with some of the earlier summations that for the most part 44 or 48 is just fine for most things until I have enough headache meds to sort though what kernels of truth may lie in the rest of the "I'm smarter than you all" babble.
2014/01/17 11:55:16
Goddard
John T
Sampling and playback are not the same, and don't exhibit the same problems. That the mac can playback 192khz audio has nothing to do, for good or ill, with what he discusses in the article.



Uh, a Mac laptop's codec chip can record (sample) @24/192 too:
 
http://www.realtek.com.tw/products/productsView.aspx?Langid=1&PFid=28&Level=5&Conn=4&ProdID=138
 
2014/01/17 11:59:13
John
musicroom
John, I don't think you will find satisfaction here unless a circular argument is your cup of tea. It's really not worth the trouble to argue with some guys.


Wise words. And i think I will take your thoughtful advice and not engage in this further.  
© 2026 APG vNext Commercial Version 5.1

Use My Existing Forum Account

Use My Social Media Account