mixmkr
I suppose the question is still valid if they're on your machine, but never get used... or VERY rarely.
At one time I had waaaaay too many plugs... a lot of that free junk and realized I never really used them. They're now off my main hard drives. I'm not using X3 as of yet, but the idea of JUST X3 (and maybe a stereo editor) sounds appealing.
The ProChannel, Breverb, etc seems to fill that need and I don't need a pile of "boutique" or different reverbs, flangers, etc. I like going to my FX list and not scrolling for days. For ME, if I can't get a decent sound out of these tools, it's not the software... it's garbage in garbage out. But that's me speaking about me.
I know some swear by their UAD or Waves or Valhalla room ....or just have a BIG pallet to chose from. .. but the idea of a native, stripped down setup seems really appealing at this point.
Excluding VSTi of course :-)
. . . guess that makes us pseudo-exclusive to Sonar plugs, since we had to go elsewhere to get proper soft synths.
I was using only the Sonar Producer included plugins for audio processing for a time . . . then I discovered I really had to buy Valhalla Room because I liked the sound of it better than Sonitus or Breverb . . . then I discovered Ozone 5 was better for mastering . . . oh yeah, then I discovered BFD2 was the best drums . . . oh right, then I had to have the Melodyne Editor upgrade . . . what? MusicLab's Real Guitar on sale !! . . . but other than those, after purchasing all of the Sonar Prochannel plugins, I can't think of anything one might need to create some great music, except, oh yeah, a better mic, and a better guitar, 88 key weighted midi controller, and my mixer's getting old . . . . . . .
Sonar X-
whatever Producer @ $149 / year really seems like the best deal.
The centre of the wheel that makes it all go around.