@cwestmont: Thanks CW. The vocals were masterfully sung by Elizabeth, and (I am guessing) masterfully recorded by Daryl.
@Wouter Schijns: I am not understanding what you're suggesting about the bass. :P The bass track is straight down the middle, pan-wise. Although I do add some stereo widening during mastering (over the whole mix). Perhaps that's what you meant? Glad you enjoyed it anyway though. :)
@daryl1968: Thanks mate! I really appreciate your work on this! I assume you were Elizabeth's engineer?
@emeraldsoul: Thanks Tom, glad you liked it. :) As you know, I've been focusing more and more lately on multi-layered hide-and-seek rhythm tracks, so it's great to hear that it's working for more people than just myself. ;) As for the vocal treatment, Elizabeth really sang a great part, so I was tempted to leave it mostly alone at first, but I eventually decided to go with the delay+reverb+telephone sound because it's so common in this genre of music (and I also really like that kind of sound too. :) ).
@ohgrant: Thanks Grant!
@bayoubill: Appreciate it Bill. You sure know about pristine sound. I just listened to your track "Windy and Warm" and that's some nice clean sound you've got there!
@Rikkie: Hey Rik, thanks for listening to this one... I know it's out of your usual comfort zone! Glad you liked it. :)
@synkrotron: Thanks Andy! I sure had fun making this song, and I appreciate Elizabeth's willingness to add her fine vocals.
@smallstonefan: Thanks James, glad you liked it! Feel free to ask away if you (and/or your son) have any production questions.
@Noisy Neighbor: Thanks Daniel. Always glad to share a little sunshine on an otherwise rainy day. :D Hope you're feeling better now.
@Wookiee: Hey John, thanks, and glad you liked it. :) Not sure what you mean about the phasing on the bass though, as there was none intentionally added... I hope it's not a problem in the mix. Maybe you're hearing some of the swirling percussion, which does move around the stereoscape a bit. Anyway, cheers!