Starise
I've been drooling over Omnisphere for awhile now. I know I would never play all of the presets, even if you gave me 6 months, made 3 more of me and gave us a vacation house in the mountains. 14,000 patches? That's before you tweak anything.
When you consider other decent synth packages don't have half the mojo Omnisphere has, not even considering the ability to replace tons of expensive hardware. Can't buy even one decent hardware synth for that price. The program has more to offer than most will ever use/need. Five Benjamans is still five Benjamans though. I don't know how you can routinely pull out Benjamans and not feel any pain. I guess the upgrade is much less. My Benjaman just doesn't want to budge yet. Maybe soon. Three ibuprophen, a 1tb SSD, a weeks vacation and a clear head might do it.
It mainly depend on what you already have ..omnipshere is a beast and i could easily only use it , but at the same time if you tell me don't use it no more i will not be impacted at all .... Kontakt would be another story ...
Ask yourself if you miss specific sounds or specific Tools when you produce , omnisphere is sounds and a way to handle them , consider both side , some synths offer a better workflow , but less sonic terrritory covered as soundsources ....even Alchemy , or Falcon (witch is more powerfull when it comes to sound manipulation) .
Speaking your analogy with hardware , tru story , i went toa shop to get me a moog expender @ 800 euros if i recall well , i then waiting for a guy to serves me sat down and played with their computer , in it omnisphere and trillian (that i knew but never put my hands on) , i went out of the shop with Trilliand + omniusphere (both around 500 euros) and skipped the moog ... i then bought the moog tribute also to have more soundsources ...
It's real streinth is quality of sound design , and number of sounds ( not numbers but areas covered)
it's danger : number of sounds lol !!