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  • X3: Why do the color-coded strips in TV have to look so......gray-ish? (p.3)
2013/11/08 17:08:48
Keni
Personally I'm very satisfied with the colors as they are. I wouldn't mind if a user could have their' own presets in the color (or can they already? I'll have to look into that too)... and I would like the ability to not have the greying if so desired...
 
For me, this level of color is already enough to help my difficulty reading the screen quickly and I can think of dozens of things more important (for me) than spending programmer hours on...
 
If they do, I will enjoy the benefit, but it's not at the top of my priority list either... I wouldn't have said that before they gave us the current coloring ability as it was very hard for me to read the screen... Funny how much less trouble I had reading the "cluttered" screen of 8.5.3...... ;-)
 
Keni
 
2013/11/08 19:38:37
Splat
Gary McCoy
 
Could Cakewalk please, in the next release, provide us with exactly the same colors that were on the console at Abbey Road in 1965?  I know I could make music like that if I just had the right colors.



I think the console turned browner over time, and sadly any colour photos will be in Technicolor. A simulation package will therefore have to be developed to get the exact colour as it was then (does anybody know where the console is now so the current colour may be sampled?). Note John and Paul's dope under the faders, and the ash around the EQ will need to be recreated for extra realism. George Martins school tie could be hung around the VU's for the full effect.....
2013/11/08 19:41:40
Splat
Also can smellovision please be incorporated into Cakewalk please. I might enjoy the Bob Marley "big fat one" pre-set.
2013/11/08 20:14:27
John T
I'm going to fly the flag for the X3 colour implementation and say this:
 
Pre X-series, I never bothered with any colour changes. It always seemed like a Madman's Breakfast thing to me; you can make anything any colour, but there's no real point to it (except of course for people with vision issues who need less or more contrast or whatever). It's more personalisation than anything else.
 
The X series colour stuff is built around functional purpose - what's routed where - and the UI design around that idea makes it really easy to achieve that purpose. I think it's a great bit of UI design. On the other hand, the poster boy for UI customisation, Reaper, I think has an unhinged design that's bizarrely unrelated to Getting Stuff Done. You can reskin everything, which is great fun if you're a graphic designer, but pretty much irrelevant to the business of recording and mixing.
 
I can sympathise though, with people perhaps wanting more control over luminosity and so on. It's not something I need, but I can see why someone would.
2013/11/08 22:58:21
Grem
John T
I'm going to fly the flag for the X3 colour implementation and say this:
 
Pre X-series, I never bothered with any colour changes. It always seemed like a Madman's Breakfast thing to me; you can make anything any colour, but there's no real point to it .....
 
The X series colour stuff is built around functional purpose - what's routed where - and the UI design around that idea makes it really easy to achieve that purpose. I think it's a great bit of UI design.....
 
I can sympathise though, with people perhaps wanting more control over luminosity and so on. It's not something I need, but I can see why someone would.




Well said! I agree.
2013/11/08 22:59:48
noynekker
Gary McCoy
 
Could Cakewalk please, in the next release, provide us with exactly the same colors that were on the console at Abbey Road in 1965?  I know I could make music like that if I just had the right colors.


Ha ! Now this made me chuckle out loud, thanks for that.
2013/11/08 23:30:26
Splat
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