rsinger
I started with a dual cassette deck in the early to mid 80s that could dub from one side to the other. I then got a PortaTwo and later a Korg D8. I got a Roland TR 505 when they came out and not long after a Roland S-550 that had a midi sequencer. In 1990 I got my first PC and I got the Cakewalk midi sequencer. I was using the PortaTwo then and had a Tascam MTS-30 that allowed me to sync midi to tape.
I love working on a DAW
Interesting. I started with one of those tiny Fostex X-15 4-tracks and then went to a TEAC A3440S 4-track reel to reel. But oddly enough, I later ditched the TEAC in favor of another 4-track cassette unit by Audio Technica called the RMX64, arguably the best 4-track cassette portastudio ever made. They somehow managed to get 16k of high-end from it (and yes, that's at 20 down and 0-VU at 3 3/4 ips). Lots of bells and whistles like XLR ins, two headphone outputs, 2 effects send, channel inserts, parametric EQ, Dolby C, lighted VU meters, and an excellent tape transport. It really did sound comparable to my TEAC reel to reel. If it had 8-tracks I might still be using it today.
I also had those horrible Roland drum and bass machine units, the TB-303 and TR-606. Then I went to the TR-707 which sounded miles better, but you were still stuck with forced quantization and no way to turn it off, which made them sound very robotic, and some drum patterns couldn't be done at all such as a bolero. Then I went to an Alesis HR-16 and all was right with the world.
I miss those days, but find DAW recording much easier and way more flexible. No turning back now I guess.
Bill