emeraldsoul
Thanks for the compliments, they are much appreciated!
This is a really small mix...since I played the song for a long time I actually knew all the parts so it went quickly.
The drums (which aren't anything like the original) just a simple train beat with a few fills. NY Compression Boosted high and lows EQ through a hard LA2A plugin by T-Racks. I blend the original drum track with the Comp track. I use Superior Drummer and there is some room reverb but it is just for light coloring.
Scarbee Bass compressed a bit wit the low end rolled off a bit.
I used Indiginus Acoustic Guitar as the main guitar (the one you hear in the intro) I used the stock reverb.
I panned hard left and right two instances of Real Guitar (each a different sounding mono acoustic)
all that bouncing is programmed in with velocity.
The lead acoustic is another instance of Indiginus...I threw a little delay on it....
The Vocals were sung very tight with a slight bit of BlueVerb and BT Oilcan Echo
I double tracked the vocal (I usually don't) One was perfectly centered and the other panned 2 o'clock and reduced volume until it sounded ok...
I always double track the back up vocals...I pan the lower harmonies in tight like 10 and 2 o'clock and the high harmonies I pad wider but no wider than 8 and 4 o'clock. This fans out the vocals nice and wide but not enough to fight with the guitars.
I EQ the vocals with a patch that works with my voice and I put compression on as well.
The key is I use Waves Vox Rennaisance to level all the takes...that makes all the vocals sound even. I also try really hard to sing as evenly as possible.
I will tighten up some vocals with Melodyne. Lifeless harmonies can be reborn with a little pitch fixing. I also use it to match the lengths of the harmonies if I didn't hold a note long enough or I went too long.
You asked about separation...panning obviously has a lot to do with it but also a lot of instruments like acoustic guitars and pianos will fight with the vocals. Also low frequencies will accumulate. I'm not much for EQing but rolling off some low end on a lot of instruments creates a lot of space and breathing room...I also shy away from too much reverb and muddy delay lines...rolling off the low end of a reverb will also clear up a mix....rolling off the high end on a digital delay will clear up some sibilance as well.
Well I hope that helps. I forgot to mention that I also try to keep certain element s mono like the bass and the lead vocal. All my vocals are recorded on mono tracks but I send the panned backing vocals to a stereo Sub channel. Mono tightens up a lot of tracks....
Hope this helps,
Thanks again!
Mark