Great stuff, the song now has much more flow and I like the production - very polished.

Starise
The intro is really more of a swell..so no attacks were ever present.

 
Ah, right... I wasn't sure about that, but I can hear that now, and the added harp works well, as do the transitions now. Nice work man 

Love it Tim, has a has that truly authentic Celtic renaissance sound as far as the instrumentation. The vocals and harmonies are delightful.

Just had a listen, and I like it.  
 
The instrumentation (as always) sounds great, love the folksy/acoustic feel.  And your vocals come across nicely.  The first transition seems to work well (as noted on SC), and the part around 2:55 sort reminded me of old Zeppelin.  

cool tune..
i love all the stringed instrument sounds.....
 
this could almost go in a zeppelin acoustic direction...
 
the vox sound like they are stereo,
or rather, everything hard panned,
is there a centered vox?
 
 
also, a trick to suggest if you are trying to tighten up harmonies....
 
automate all the vox tracks with envelopes (you probably already have),
and choose ONE to be the main vox (centered, stereo fx are fine) and at the end of each harmonized phrase, 
let the one main vox line extend to the end, but drop the faders off severely on all other backing vox tracks just short of where the main vox finishes it's line.
 
that way you never hear a 'double' fade out that isn't in time,
the backing tracks will disappear at the last second,
but the main vox finishes the 'held note' or last sung note.
 
if you get the timing of this down,
it is almost invisible to everyone but the most astute listener.