sharke
I have to admit, I've used cracked software before. Years ago, I needed Dreamweaver and Illustrator for a tiny web based project, so I downloaded torrents and keygens and bob's your uncle. Didn't feel in the slightest bit guilty for it whatsoever - I would have never bought them otherwise, and Adobe didn't lose a penny out of it. These days I have an Adobe subscription, paid for through my business, which I'm not sure I would have gotten if I hadn't become familiar with Adobe programs back then.
Having said that, I've never used any pirated music software. I didn't have any kind of moral epiphany or anything, it's just that dealing with cracked software is a real PITA. There's a ton of risk to your machine involved, you don't get any support, and your update cycle is limited to whenever the crackers get around to it. Feels much better to buy your software legitimately and frolic around the community in the open without constantly having to hide the fact that you're "one of them." And of course it's nice to be able to talk freely with the developers as a legitimate customer.
So I'm not gonna judge the OP. Especially since he's now in the market to shell out some cash. Think of it this way - let's imagine Cakewalk was still around and he decided to pony up. His choice to buy Sonar came about because he'd used a snide copy in the past. If he hadn't used that snide copy, he might not have decided to buy it now. So Cakewalk effectively makes a sale based off of his familiarity with a pirated version.
Similar arguments have been made in the past about pirated Adobe products. When the kids pirate Photoshop or Premiere or After Effects, they're developing a relationship with the programs and learning how to use them, so that when they're in a financial position to "come clean" (which has clear benefits over using bogus copies), they're gonna buy the programs they become familiar with during their cracked years.
Of course it's not as clear cut as that and there are doubtless people who could afford to buy a program but choose to use a cracked version to save money. However, to accuse the OP of being the kind of person who killed Cakewalk is off the charts dramatic. Other DAW's get pirated just as much (if not more), and yet they haven't gone out of business.
HOWEVER - I would honestly advise the OP to NOT purchase a copy of Sonar at this point. It's dead. It's unlikely to ever be updated, and it has some shockingly bad bugs in it (bugs that will literally destroy hours of work, as I've documented elsewhere). If you're going to shell out on one DAW, make it one that has a future ahead of it. I'm telling you, despite people telling you that Sonar is amazing and that you'll be using it happily for years to come, the truth is that you'll probably end up regretting buying it over a more stable, less buggy DAW with customer support and future updates.
While I'm actually a SPLAT user, I find it kinda difficult to believe that SPRO should be particularly any more "buggy" than any other DAW.
Now while I found SPLAT to be a bit buggy along the way during such a rigorous never ending/changing development a.k.a. as the "Subscription Plan", once I stopped updating it settled into a stable, familiar, and reliable environment in which I knew what to expect and
"that I knew how to use" Because nothing new was added, nothing changed was further "tweaked", and when it stopped "CHANGING" all bugs seemed smoothed out somewhere around the middle of my 2017 subscription.
I would
ALSO LIKE TO POINT OUT! One of the very few times I've EVER tried to use Cakewalk "TECH SUPPORT" in 30 years, all I got was the stable computer generated email thanking me for contacting them telling me how important my business is to the Blah, blah, bblahaaaa, here's a case number, all our support techs are busy
(trying to figure out how to get SONAR to run on a Mac) and we'll get back to you as soon as possible..... Well they never did..... EITHER OF THOSE THINGS! So pardon me if I'm not feeling particularly sorry for Gibson Brands corporate blunders and mistakes. I don't even feel sorry for my self, but can only hope all the staff and most talented Cakewalk Bakers have found gainful employment, and I will continue to promote and advise others to purchase SONAR and enjoy it's unique power and benefits while you still can. Just because Gibson shut down the Cakewalk Store doesn't mean it can't still be purchased at retail music stores, and even survive and thrive.. And so I sit wonder what's worse ???? Being guilty of trying cracked software before deciding to buy, or kicking old friends when they are down just because you ASSUME they are dead! based on the limited information we know about the situation. I've
always found it to be true over the decades that many situations we perceive as "bugs" are either caused be user error, or trying to force professional results and performance out of a bargain box off the shelf computer, or even thinking that your i7 laptop, no matter how much you invested in it could ever possibly keep up and do what a finely tuned pro grade 8 core brute power workstation can do.
My AMD FX8370 8 core described below can seemingly run an unlimited amount of tracks, plugins, and synths without breaking into a sweat, peaking out at about 1/3 on the CPU meter with stable and smooth low latency all day and all night with audio drivers set @ 24/48 with buffer set to 128.
A typical project like that with 30 or 40 audio/MIDI tracks created on my AMD workstation will crash and lock SONAR X3 PE on my 4 gen i7 HP pulled off of the shelf of HARD TO IGNORE low price at Best Buy during a Black Friday SUPER SALE!
This does NOT mean AMD is better then Intel. It doesn't even mean SPLAT is better then X3.
Nor does it mean Cubase is the best any more then it means Donald Trump will make America great again.
It means I can't expect a consumer grade gamer machine to do the job of a Pro grade custom built workstation just because
"There's Intel Inside".