Jon Bryson
I do believe that this used to work exactly as Michael has outlined. I used to do it this way and now I can't. Yes, there are other ways but I do find it annoying that this doesn't work.
Jon
Yes, I guess this is a lot like me. It just kind of bothered me that you can't do this. Thanks for understanding Jon. Now to answer some of the rest of you.
Why would I want to do this? Ok, when I am rendering a mix/premaster then of course it doesn't matter. I just choose from the beginning of the recorded area (actually I usually go one measure before to be safe) to the end of the recorded area. Then I take it into SF, trim the beginning and the end, and add a second of silent space at both extremities.
Why doesn't that work this time?
I am sending rough mixes to two people--the client, and outsourcing children's vocal overdubs to another producer. The producer, in order to import the wav into his timeline needs the song to be rendered from the start of my timeline to avoid syncing problems so he gets 15 measures of blank space. (that's the way everyone does it right?) Not a problem, I do this all the time. But to keep from doing two mixes or to have to take the song into SF and trim it I want to send the same mix to the client. But of course I don't want to send him an mp3 with 15 measures of blank space in the beginning. So, I thought to just chop off the blank measures just like I used to do in years gone by.
And yes, to shift 62 tracks with various envelopes, multiple tempo changes, etc. there is always a possibility of something going awry.
So, if I put some data in those 15 tracks then I can delete space and hole?
Thank you for the suggestions.
Michael