I started using Steinberg software since when I got an Atari 1040ST in 1986. I had a whole megabyte of memory and I had built in MIDI ports. (Big deal at the time)
In 1999 was over my love affair with Apple so deiced to use Cubasis on a PC. I bought a midi cable for my PC and it came with Home Studio 8. I had a very minor problem and called the tech support and was blown away with Cakewalk’s service. (I still am till this day, it is second to none!)
I later upgraded to Home Studio XL 2004 but still kept using the Steinberg because I was so used to it. I found myself playing with Cakewalk FX in Cubase. I received an email offer to upgrade to the Sonar 4 and took advantage of it. I bought mainly for the effects and because Sonar it supported OMF files. A few months later I upgraded from Studio 4 to Producer 4 but I still was using Cubase. I liked Sonar but was afraid to jump. I researched and studied Sonar and even read a couple books.
My reluctance to switch was based on my heavy usage of VST instruments. I primarily work on Christian and Southern Gospel Music with a fair amount of orchestration. I would guess 75% of my tracks are sample based with live instruments and vocals. Often projects are sent to Nashville to be mixed. Nuendo is used widely around Nashville so using Cubase worked well. I had been using some form of Steinberg for almost 20 years so it wasn’t an easy decision to switch.
Then Sonar 5 came out with 64 bit processing and native VST so I decided it was go time. I pulled up some tracks I had previously mixed put them in Sonar and I couldn’t believe my ears. There was a sonic difference. I have used Sonar ever since!
I run a commercial studio and I have a project studio in my home as well. I run Sonar in both and I have had no problem when people come in with ProTools projects. I am more than happy put Sonar to the test against the other inferior software. No one has ever said, “Let’s keep it in ProTools.â€
I live a couple hours away from Nashville and I am seeing the Digidesign stronghold slowly melting with the myth of the invincible Apple OS. I would love to see this market developed for Cakewalk. The partnership with Roland could be an asset in making this come to fruition. Hardware wise 16 channel AES cards, 192 ADDA converters and even a DSP card for effects are at the top of my wish list! Imagine Sonar power harnessed by Roland. Music City is home to allot of musicians and allot of different genres. With the Cakewalk’s METAlliance partnership and the Nashville influence a couple of those guys have Sonar could make some serious inroads. They are already endorsing AMD!
Sonar is the best choice for me and the music I work on. It might not be the “industry standard†but remember a standard is what others are measured against. Sonar measures up quite handily to say the least.