One reason I switched to Melodyne was that V-Vocal clips would mute and unmute unpredictably.
I also think Melodyne sounds better. It would probably be the best $100 you ever spent if you do a lot of vocals. In addition to fixing pitch and pitch drift, I use it to correct timing, reduce breath and other non-musical sounds, and to smooth out note volumes so less compression is required.
I sometimes fix little artifacts like pops, but I usually find it easier to do that in the actual wave before transferring to Melodyne. (Tip: Drag-copy your wave to another track before you start chopping it up.

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By the way, to all the haters who don't like vocal editing, I will say again that 1-Melodyne and V-Vocal are just effects like compression, EQ, etc.; 2-singers have been comping together takes for decades; and 3-when the feel is right I don't want to lose it or wear out the singer over little things that I can fix.
Not too long ago a musician was giving me a hard time about what he called micro-editing vocals and said, "[group name withheld] didn't need that to record [song name withheld]." The song in question was a Woodstock-era record and I really like it and the group; but when I listen to it now, the off-key harmonies really jump out at me. Times change.