mike_mccue
It's hard to wait for bugs to be fixed while witnessing new features being rolled out and then learning that even they will be waiting on bugs fixes before the folks that wanted the new features will enjoy them.
I understand that. Folks at Finale (the notation software that is also inching its way toward the "do everything", "grand unification" product) have the same complaints -- and have for the last 7 releases at least. But somehow it continues to evolve as a leading product whose virtues far outweigh its problems.
I see another striking similarity between Finale and Cakewalk, which is that they both went through a major ownership restructure after the calamity of 2008. Folks, we really need to have some sympathies for any business trying to stay afloat these last 4 years. The economic climate that built up over 30 years of bad national decision-making all came tumbling down in 2008, and millions of businesses went under. We cannot just erase all that from the memory banks. It is real and caused real, lasting damage to most companies, including Finale (Makemusic) and Cakewalk (Roland).
I know that doesn't solve anybody's nagging bugs, but neither do these daily
"OK, now I've really had it. I'm really walking out that door. Don't try to stop me because I'm really doing it this time. Just watch me walk out that door." threads.
I do think there is a serious question to be asked of all suppliers. At this point, the DAW market is reaching maturity. It seems to me there are twice as companies/products -- both DAW platforms and VST plug-ins/effects/synthesizers than the world actually needs. It may feel like things are still innovating at a rapid pace, but to this outsider's eyes, they are converging around maturity, now concentrating more on UI than function. So it is certainly a fair question to ask who will be the survivors and who will be the "Blackberrys" and "MySpaces" in this market in another 3 years.
It seems obvious to me that ProTools has a solid franchise, and they will still be around, but will not be as dominant. I believe Steinberg is owned by Yamaha now. If so, they will be around, but people may not necessarily be happy with Yamaha's rate of change. Ableton? Don't hear much about them. The others? I wouldn't know. It seems to me that Cakewalk/Roland is in a pretty good competitive position for (what I believe to be) the coming shakeout