I don't use a VST. Take the time to learn how to do this the right way.
It sounds better. And... it costs nothing but the time needed to do it.
My basic approach is to record the lead vocal into 3 tracks with 3 different takes. The idea is to get the 3 takes as close to perfect with each other as is possible. Pay attention to the start and especially the ending of words with the "S" sound in them and at the end of the word. vocal phrasing should be dead on.
Listen to some of the Beatles material. It's said that Paul & John would spend days just working on the vocals to get them perfect. they used this method of doubling.
Once the tracks are recorded..... pick one as the main track. Use Melodyne or VVocal if you have it to get that track on pitch.
Now I take the other 2 tracks and lower their levels to -10db up to about -20db under the main track. I pan them off center..... one goes Right the other Left by 50% or more depending on taste. Usually between 50% to 80%.
When the vox bus is solo, you can hear the lower panned tracks fairly well. BUT... when you add the music to the mix, the lower panned tracks tend to disappear to the ear, but the fatness and width they add to the main vox remains.
I use this very technique on most of my songs now. On my site, "Missing Person (2012)" has, if I recall, 8 or 10 vocal tracks. Each main vox has 2 panned lower tracks and there are harmonies as well for each.
I would experiment with learning the technique to do it the right way as opposed to using a short cut and trying to do this with a VST. Some folks try to take a short cut on the tracks too, bu cloning them and nudging them slightly. I would only recommend that if it was impossible to get the singer back to retrack the 2 other tracks. A clean and distinct original track is the best way to do the doubling.
now.... have fun....