I would use clip gain automation as well. Think of it as a sub mixer in the clips. Very useful.

In defense of Frostysnake, he was probably giving advice for the future. Good planning and documentation is very useful. Obviously, it's not here but his comment is valid.

And yet another way is to Tool copy into an audio editing program where it's easy to render the tracks all the same. 

If your interface only has 2 inputs that you share duty with all your mikes and guitars,  then your always having to change settings. This is where a small mixer can be handy. 

I have dedicated channels for every thing I input. Voice, Acoustic guitar, Mike on amps and bass. So they are all ready to go. If I grab my Bass it's already dialed in and will sound the same 2 years from now. 

My other little trick is  I always clone the track for recording another take of the same input source. This way both takes are identical, even the EFX sends. I just re name it with a " Bass2" in case I need to go digging in the audio folder later. Clone the track, re name it and delete the audio so it's blank.