I think bass, more than most instruments, is a sound that can be tone-shaped by other processes down the chain, so for recording purposes keep that in mind. You can make an Ibanez sound pretty good in a studio even if it has electronics that are less than top notch.
That said, I can share that I've had an Ibanez (5 string, great feel, but dodgy electronics), an ASAT bass by G&L (great electronics, dodgy feel), a Yamaha (decent but no cigar) and a couple of others worth little mention.
My current bass is a 5 string MusicMan Bongo. It is active, has two 9v batteries in the preamp with two humbuckers. It has balls for daaaaays. Deep, thunderous cajones. Perhaps I'm getting carried away.
My point is, it's active, records extremely well, can be tone shaped into something lighter if needed. It's really a challenge to take a light sounding bass and give it gut-wrenching depth through toneshaping eq.
And the tone is about the strings, too, so think about what you want there. Flatwounds for smooth and thumpy, roundwounds for bright and ringy, and vinyl wrapped for just sounding friggin great.
Based on your post, you are worried about electronics and gain - think about a Music Man with some active pickups. The Bongo will set you back maybe $1100 lightly used?
cheers and best of luck with the low down . . .
-Tom