• SONAR
  • VIDEO by Danny Danzi featuring Transient Shaper: (p.5)
2013/03/05 13:37:55
Danny Danzi
M_Glenn_M


Lol and don't think for a moment Parisiennes are like the rest of France. 
The Paris attitude is world renowned and is as different as a New Yorker is to someone in Iowa.
As far as Yanks go, I once heard they are the world's best hosts and the world's worst guests. 
Other than the airport security jerks who are specifically chosen for their attitude, I have found this to be quite true. (Do all the nice ones stay home?) 

LOL, I hear ya. I dunno where they come from on Xbox, but they REALLY hate me! At first I thought it was because maybe they were lil kids and they were getting owned by an old dude. Then the voices started getting deeper...lol! You know how it goes...stereotypes are everywhere. Heck, look at how many people hate Americans based on what our government does. Trust me...we may have voted these dudes in office, but they didn't chirp the songs they chirp now when they were running....nor do we have a chance to vote on which course of action they decide to take. Rest assured, if WE were given that right....I believe no one would hate the American people. We'd not be in any wars or attempting to be the nations police.
 
Yanks being jerks...that depends where you go. Most of the big cities are where you find the most tudes because you'll die being a nice guy unfortunately. Then there's places like Iowa and Ohio where people wave to you for no reason other than to acknowledge your existence...which is soo cool! Or, they will sit at an intersection and keep telling you to go, and you say no, you go, and they say, no really, you go...and you both start smiling because it's just soo great to be that courteous. :) You also get guys that do your windows in those small town gas stations and greet you like you matter. In the bigger cities and suburbs of the bigger cities...totally different animal for the most part. Airports...the absolute worst place to judge anyone because it's all rush rush and people stressed out. LOL! :)
 
-Danny 
2013/03/05 14:01:55
amiller
Danny Danzi


*edit* I found a pic of the exact one I had! http://www.liveauctioneers.com/item/5831534 
 
-Danny 

Too funny, I had a Kramer exactly like that.  The finger board was made of something Kramer called Ebanol, or something like that.  Back in those days my fingers would sweat out lots of salt.  The salt would combine with the Ebanol and erode the aluminum position markers.  After a time, I couldn't see the markers at all.
2013/03/05 15:34:18
DW_Mike
Chef Mike: I got my console set for segmented meters and the track view non-segmented. Preferences/Customization/Audio meters. For the colors, Preferences/customization/colors then select the meters option in the drop down. If you want, I can send you my color scheme and you'll have everything. Let me know. -Danny



Yes please. (I'll PM ya my email)


I prefer the segmented meters too.


Thanks brotha.


Mike
2013/03/05 15:47:27
redbarchetta
Danny, really like how you stick with stock plugs.  Wish people who make the groove videos would stick to stock plugs in their DAWs.
2013/03/05 16:15:04
bobvila
Thanks Danny!
2013/03/05 17:02:56
DW_Mike
redbarchetta


Danny, really like how you stick with stock plugs.  Wish people who make the groove videos would stick to stock plugs in their DAWs.

+1
Hey Red, go to the groove3 site and send them an email. They like suggestions for future videos.
I'll put one in too. The more request's they get the better chance there is to have it fulfilled. 


Or we can just keep pushing Danny and Karl for more vid's.  


Mike
2013/03/05 18:50:41
Danny Danzi
Chef Mike: Email sent with the color thing. :)

redbarchetta: I look at it this way, not everyone is using top grade plugs in Sonar. So I stick to those when showing people things unless I have a reason to show something that isn't. These videos you see, are a lot like the ones I make for my clients that contact me.

They have a mix they want done and want to see me mix the entire thing. So we go over what plugs they have (most times I have the majority) or we keep things strictly Sonar/Cakewalk. I think this is important on all fronts because not only do they see me mix THEIR song in full instrument at a time, they see it being done on the software they use with the plugs they use. So this makes the lesson plan hit 100 times harder.

I think that's the problem with a lot of books and audio examples. Though we can sort of borrow the techniques of one DAW and implement them into another, isn't it better when you see it all happening in the daw you use with the plugs you use? This is one of the reasons I hate books. When you read an audio book, the dude doesn't say "and for you Sonar and Reaper users". It's always "well, I use this SSL and I have all this pricey hardware that you will never own anyway kid...so here's how I do this that and this" IF you are even lucky enough to have them share an actual step by step procedure!!! I just think they suck....and I don't care who writes them.

I'll put one of my lesson videos up against any book or class anyone can take for way less than you'd pay for an entire semester of classes. You can't fail when you learn how YOUR song was mixed using plugs you use everyday and Sonar. It shows you how to mix and control YOUR instruments. Not someone else's that were printed in a million dollar facility on gear you may never own. To me, that whole process is just ludicrous which is why I offer this stuff.

Each vid is done custom for each client, so it's pretty fool-proof and you'll learn more in one full mix lesson than stuff in those books...that's a promise. I had a guy just come to me from Full Sail. He knew lots of stuff and I felt a little intimidated to be honest. I mean we're talking Full Sail here....that's a pretty killer school. But in all honesty....if he had an SSL or a NEVE in his house, he'd be able to dance on it. But what happens when you don't? He doesn't even have Pro Tools...strike two. He told me he learned more in one of my videos about mixes and techniques than all the stuff he learned about mixing and sound at FS. And the dude spent like 50k and was unhappy. Granted, yeah, he learned killer mic techniques and other aesthetics, science and loads of other things that are priceless....but when it came to mixing and being taught what to listen for...I really felt bad for the guy that he got ripped off in some aspects.

I mixed one of his songs in full while running video, and he had a better grasp on everything because we used what HE uses. He learned when and why he should have reprinted a sound....what was wrong with the sound. What I did to fix it....when to replace a sound with a sample, when to do surgery and when to just reprint and what to look for when you track. All that stuff is important and if we're not told how to listen or what to listen for, what good is a book or even a class? Most guys are bedroom hobby guys that just want to get the best out of their gear. Their gear isn't the best and neither are their tracking methods. So how does a book or class help? It doesn't other than little bits of information that are common practice. When you learn on what you have as well as the music YOU have recorded, you are 1000 steps ahead in my opinion. So this is why I keep it simple or cater to someone and do something custom. It's fool-proof that way. :)

I know this may sound like a plug for what I do here, but honest it's not. I just wanted to explain the method to my madness. I love giving these things out if they can help someone...I have no other motives really. I also love talking about this stuff and getting into people's heads because with the right mentor/teacher, you can really make a difference in the way you deal with the audio field. :)

-Danny
2013/03/05 18:56:17
tbosco
Danny.... sorry I didn't read every word above, but have you found the Transient Shaper to be a bit of a CPU hog?  I love that thing, but it often locks up my anemic system.  The Transient Shaper is really cool, and I have found it to be invaluable in making a snare drum just pop out of the monitors.
2013/03/05 19:06:23
Danny Danzi
tbosco


Danny.... sorry I didn't read every word above, but have you found the Transient Shaper to be a bit of a CPU hog?  I love that thing, but it often locks up my anemic system.  The Transient Shaper is really cool, and I have found it to be invaluable in making a snare drum just pop out of the monitors.

That's quite alright Tony. I'll just sit here and tap my foot waiting until you read all that stuff above. *tap tap tap tap* LOL!! Just kidding. Was just explaining the method to my madness to red up there. :)
 
Actually no, I haven't noticed any resource issues but the help file does claim ther ecan be some latency. Usually when that's the case, it's grabbing some cpu cycles. Hold on...let me check something real quick.
 
Ok, that project I did the video on. I just enabled all instances of TS 64 and let them all play at once. Now keep in mind, when I'm mixing, my ASIO buffers are set to 2048. When I record, I go down to 64 or 128 depending how far along I am into the project. But right now in that project you saw in the vid with all instances on at once at 2048, I can barely see one line out of my 4 cpu's moving. The other 3 are not even visible and the one that is...is like barely showing itself.
 
Just so you can see it...check it out here: https://dl.dropbox.com/u/4909348/4Tony.JPG
 
So from what I can tell, it doesn't seem to be doing anything out of the ordinary here and I just did that test with my email open, IE, Drop box and some other stuff happening.
 
-Danny
2013/03/05 19:06:34
redbarchetta
Maybe you should be the next person to create a Sonar video for Groove3... I'm watching a mastering video now where he has plugins from all different manufactures... Kind of off putting.  Makes you think you NEED to go get that plugin.  His toys are not cheap either. 
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