I contacted
Tim right after he posted this track the first time. I told him I though it was OK but it could have gone much further. I had some ideas about how to do it. I asked him if he would mind me working on the track and very kindly supplied me the multitrack sessions.
What I did was added in a new bass synth part and a new pad from a Roland JD800. The synth bass sound came from an Oberheim OPX II Pro. I knew once I got my drums into it then I would want to hear some sort of punchy low bass part to click in with the drums.
But apart from that I used all Tim's original tracks and I never altered the arrangement either. It is exactly how he gave it to me which is very interesting because it means that
Tim created a great arrangement right from the start.
I also did quite a lot of editing and dropped parts in and out here and there and tried to create a more spacious sound. I was trying to see the black backdrop behind the music more so. A track like this is pretty happening and there is quite a lot going on so that in itself was a challenge. I made a little more of a deal of the starts to the various sections of it too rather than gliding over those sign posts. That can be achieved in two ways. One by adding things right at the start of each section and turning them up briefly and also dropping stuff out just prior to a new section start.
I don't have any outboard Pultecs! Wishing so but I did use some Pultec plugs to give some sounds more weight. I replayed the drums live and added in some sound effects. The drum grooves change slightly from section to section as well emphasising those sections a little more too. Overall I gave it quite a different mix to
Tims original work. It is less ambient and more punchy now. Both approaches are good as well.
I pulled the tempo back of the entire session slightly from 120 to 118. Something that is very painless in Studio One. I also did this mix in Studio One. I enjoyed working with
Tim on this one.