guitardood
Freddie H
Bub
Freddie H
Pro Tools HD - a DAW that has lived under a rock the last 15 years.... Only DAW that only works on Windows 95 and XP32. Only DAW on the market that are still in x32bit only 2013 and have no new technology functions and totally outdated.
The latest features were non destructible faders and record and working with 32 bit files? All other DAW has had that since the late 90ths.
today you can't find any functions that Pro Tools do better then other DAW. Actually it's the opposite. all other DAWs do it 10 times better.
It just goes to show what kind of damage marketing hype can do. Referring to the whole 64-bit debacle.
So 64bit is a "hype" to you?
....Bub...this is just getting worse..
Personally, I do believe that the whole move to 64-bit is hype. From a DAW perspective. Does anyone really have any projects, "without memory-starved soft synths", require more than 2gb of RAM? As a programmer, I would find that very hard to believe. This is the reason I asked the question the other day about being able to run BFD2 or Machfive 64-bit versions under 32-bit Sonar. Would get rid of the whole flaky bit-bridge on 90% of my plugins and allow my two memory pigs to operate in 64-bit (found out this is possible with jbridge but haven't tried yet).
I mean seriously. I had multiple 75+ track projects using tons of both native and UAD plugs and NEVER ran out of memory under Sonar 7.
Best,
When the day comes that Sonar (or any other DAW on the planet) will not stream a sample from an HDD and stop working due to lack of RAM, then I'll accept that 64 bit is a necessity and "makes a difference".
I have never been restricted by my DAW not being 64bit. If anything, it's been one big headache transitioning to it.
I'm primarily a guitar guy, I saw no benefit in latency when I switched to 64bit. Actually, one of the biggest disappointments when I made the transition was the fact that I saw no real benefits. Latency was the same, I heard no difference in sound quality, it still took just as long to bounce, freeze, and export.
Yes, Sonar
maybe loaded a bit faster ... but it didn't function faster. A 3 minute 25 second song, is still a 3 minute and 25 second long song. 64 bit doesn't make it sound better, or play quicker so I can record it in less time.
If you're working at Lucas Sound Ltd using 5TB orchestral samples, well, yeah, maybe you'll see a difference.
As a matter of fact, I just checked it out.
www.skysound.com. Technology
Presently, we have a fibre channel infrastructure that allows sharing of files and data quickly and easily throughout the Technical Building and around the world. An editor can work on a session in a private suite using one of our 80 ProTools digital audio editing systems while the mixers are mixing the exact same material on one of our six dubbing stages. Simultaneously, another editor can browse our proprietary library of more than 100,000 unique sound effects to find just the right sound.
This can all be done while we seamlessly connect the mix stage remotely to anyone with an internet connection using the APT WorldNet Skylink, a device that represents the culmination of a joint development program between APT and Skywalker Sound. In addition to the Skylink, we provide Dolby®FAX via ISDN Telestream, FTP, Digidelivery, Polycom view stations, and Conduit.
Our Scoring Stage offers the best of analog and high bit rate digital by maintaining in house the best selection of microphone pre-amps of any studio, and a wide range of converters for multichannel 24 bit/192k recording and editing.
The Scoring Stage also has the ability to connect to any stage or editing suite in the building or anywhere in the world using the APT WorldNet Skylink technology.
Freddie, I think your a great guy ... but if you're really going to sit here and argue about Pro Tools up against a billion dollar studio ... and put it at #20 on your list of DAW's ... well, I think there's no more point in talking about it with you anymore. You're never going to see the forest through the trees.
Thanks,
Bub.