Funkybot
I'm with Beepster on this one. Looking at that project, I can't for the life of me figure out what the OP was going for there.
1. Why are there so many takes? 27? What is this project that you have so many takes of a single track?
Hey Funky -
Here's my workflow - and yes, it may be idiosyncratic:
I was laying down the bass in sections. I had a guide track, and I was following along. Very short recording, a few bars at a time.
So I have my audio track, record-enabled, and no, I did not expand take lanes. I didn't have any lanes, it was a new audio track.
Also, I was working from the end of the project backwards towards the start. So sue me :)
When I'd finished, I decided to trim up the beginning and end of each clip, to reduce unwanted noise. I knew I would have to expand the lanes at this point.
That's when it looked more or less as the screen shot, except I was zoomed in and could only see grey. I had no idea that each stop-start was creating a fresh take lane. That's insane to me, layers didn't work like that.
I realize now that, if I want to record a track in this fashion, I really need to expand take lanes FIRST, add a couple of empty lanes, then record into them, alternating. The only problem with this is, when you do this, you can't hear any existing recorded material in the other lane (even when "Sound on Sound" option is selected in preferences). And if you record into the same lane, you can accidently delete existing, non-playing clips. F*ck that.
It's just messy, it doesn't correspond to my workflow. I can't be the only one who records piecemeal on certain instruments.
Back to reading the rest of this thread now :)