Now things are getting interesting. The mixer software is a LOT nicer than my old Echo's software mixer. Tons of control and doohickeys. This part is cool. You can make 6 separate monitor mixes that don't affect the DAW in any way. That way you can have a mix for the engineer and others for the artist(s). So if the artist wants to have certain things turned up or down in their headphones while tracking that can be done while the engineer can monitor things how he wants without having to fiddle with stuff in the DAW or use external hardware (like a headphone mixer). The Focusrite mixer handles it. Also you could have different monitor mixes for various tasks ready to go just by clicking a tab. Not sure how this would be routed yet or how many of these mixes can be playing at once but definitely useful. I'm guessing you would maybe use the main outs as TRS stereo sends (that'd be to separate mixes), the two SPDIF (two more stereo mixes), the headphone jack (one stereo mix) or maybe do it through the optical connection. Perhaps this is common with newer interfaces but I don't think my Layla did this stuff so to me it's pretty nifty.
EDIT: My mistake. You can have six MONO mixes or three STEREO mixes.