Thanks Mike.
As to Melodyne harmony
tricks ... after giving it thought, I have to say I am a technologist at heart ... maybe not a developer of technology; but, as one who appreciates it and gets a kick out of what can be accomplished using it. Before getting Sonar X3 in February 2014 I had no idea what power lay in the world of music production technology. Melodyne was one thing that really captured my interest. I had never even thought about one's being able to do pitch correction. Lo and behold, Melodyne produced that capability. Consequently, after having watched promotional videos suggesting that harmonization could be done, I thought I'd try it.
I realize that a lot of learning is yet to be embedded into my brain; but, I have nothing much to lose trying-out whatever comes along. So I did my thing using Melodyne on tunes that (arguably) were not all that important. I may go back and re-do either or both Wayward Wind and Green Door using pure vocal
as you and others suggest (and tight underwear to reach the higher notes
) Strangely, the
Melodyne created Multi-track I did on
Love is A Many Spendored Thing https://www.youtube.com/watch?v=TnRG3ywHTZM just passed
Always on My Mind https://www.youtube.com/watch?v=AczrMkqn59Q in terms of the number of views racked up ... not that the number is all that high. Nevertheless comments similar to yours were posted on this forum suggesting that Melodyne inserts too much artificiality. If someone can tell me whether or not one can create artifact-free vocals using Melodyne I would welcome comments. If artifacts are just a way of life in Melodyne (as I am beginning to believe) then maybe I am placing too much of my stock of confidence in it!
Again ... thanks Mike for your comments. They are really valued.