gNo I can't really hear the bass, it needs some help (IMO) but you know what they say about opinions :-) I'm a bass player, so I tend to listen to it? Just like a drummer, etc... and I really couldn't tell if there was one playing? You can roll it off at a certain level (and should) to prevent issues, however, I would then cut the rest of your mix, I don't know 70 to 100? or 110? To let the bass shine through... And use tools like a frequency analyzer to look at it. You can also EQ the Kick and Bass so they sit together, and use ducking compression. The bass is really important (again IMO) And the bass and drums need to be in the pocket and hold the song together.
Listen for example to Soft Truths, the one I have up now. Listen to the mix, and how you can hear the bass? Then A/B it with this. My ears aren't what they used to be mind you. But it just doesn't seem to cut through the mix to me. Also, as I'm sure you know, the bass comes down the pipe, right up the middle, with the kick (which is why they should be EQed to sit together) along with the Lead Vocals, everything else should be panned (and EQed) Compressed, excited, limitted, etc, etc, etc...