Not much anymore. But...
I like the delay a lot and the only reason I stopped using it was a bug that caused clicking during tempo changes when tempo sync is enabled. I can work around it by automating the Sync button, but it's a nuisance. But if you don't have any tempo changes it's a wonderful delay. Unfortunately, I am big on tempo maps.
I used to use the multiband compressor a lot, mostly as a bus compressor, before switching to dynamic equalizers. It's still quite good and very easy to use. I just like MDynamicEQ better.
The modulator is also very good, and I still use it sometimes as a flanger, even though I've got fancier plugins that can also do that.
The compressor remains my favorite in the suite, and still gets used occasionally for sidechained compression. I like the way it graphically shows the level bouncing around the knee, which is a nice convenience for setting both threshold and knee. I like that the knee is continuously adjustable. I have other comps that do these things, but the Sonitus' graphic is simpler and simpler is often better.
I once spent a day opening up old projects to see what I'd used way back when. Two of them had especially nice-sounding reverb on them. When I found out what I'd used back then it surprised me: the much-maligned Pantheon and the I-don't-get-no-respect Sonitus Reverb. It was a reminder that the Sonitus reverb was pretty good.
And all of them are very CPU efficient. Back in 2003, programmers paid more attention to optimization out of necessity. Nowadays, it's an afterthought. Unfortunately, that's also an indication of their age. They haven't been enhanced in years and probably won't ever be.
But the bottom line is that you can make a great production using nothing but the Sonitus effects. Let an experienced mixer using only stock plugins go up against a novice with every plugin known to man at his disposal. Experience will trump software every time.