New mix sounds pretty good to me Clint! Everything is audible and seems to have a nice place in the mix, we got more beater attack and all the other stuff is good too. Hats can pan a bit (20-25 % left or right...your choice depending on if you went with listener perspective of drummer perspective) Now...this is subjective here, but I want to teach you something that may come in handy later.
When I listen to this mix, there are no blatant issues. However, the one thing that does sort of make me want to play around a bit is the rhythm guitar sound. I don't know how to explain this other than to talk like a weirdo. LOL!
Let me start by saying...this works and you don't have to touch a thing, but I just want you to mess with this and see if you hear the difference and if it's a difference worth changing.
The guitars (rhythms only) have a very mid range sound to them. When I hear them, they make the sound of raw raw raw...(not to be cornfused with "they sound too raw and naked") which in Danny language means, a bit excessive on the low mids to mids. I'd like to hear them make more of a "chump chump" or "champ champ" type sound. Notice how saying "raw" is a darker tone than when you say "champ", "chimp" or "chump"? Removing some of the congestive mids will curb the sound of "raw". I know saying those words is probably making you laugh...but if you apply them to guitar tones that are chugging on chords, you'll know exactly where I'm coming from. Each frequency in an eq literally speaks and has a certain element it adds to the mixing language. When you can make them appear to talk or at least "deliver" a sound that can be translated into speech so to speak, understanding frequencies and how to use them becomes much easier.
To do this, when you mess with the mix next, try lowering 320 Hz a bit until you hear the congestion in the low mids clear up a bit and get brighter. Then put it back where it was, then raise it super high so you can hear the affect this frequency does to guitars. When you're done, put it back to wherever you had it originally.
Next, go to 640 Hz and do the same thing you did with 320 and listen to how it changes the actual syllables in which the guitar lashes out and speaks. After you're done, return 640 to where it was. Next, go to 860 Hz and do the same thing. What I'm teaching you here is how to listen for excessive mids and how just removing a little in these areas can clean instruments like guitars, lead guitars, vocals, piano, strings and other mid range type instruments, right up.
You can also boost these frequencies when you need to so that you thicken instruments up a bit as you will notice the tones get a little thicker when you add them in. But when you get into that "raw" type sound....you can usually clean some of the mid range congestion right up and it makes a huge difference.
Now, if you like a super mid-rangey sound like this on your guitars, that's fine too. As long as there are no blatant issues (and there aren't, all subjective stuff here) you're right where you need to be. But try this so that you can identify with what I'm saying here as far as mids go. I think your eyes will open real wide when you hear the difference these 3 frequencies make in dirty guitar tones. Well done brother. :)
-Danny