It always sort of offended me that PMI stole Mr Meek's brand name just to make their contemporary and generic circuits seem like they were worth a couple hundred dollars.
I hadn't fully realized how tragic the Joe Meek story was until I watched the movie.
The props master should get some sort of award... the production design was outstanding. The recording gear seemed like it should be in a museum.
The editor blew me away... the sequencing made me really uncomfortable and it effectively conveyed the sense of frenetic energy that I have associated with the early London pop ampheti-scene I have read about in books and articles about music and art.
The movie left me exhausted... and when it was over I was glad that I live a slower paced life.
I don't think everyone will enjoy this movie... it's got lots of challenging content... but if you have some interest in early pop recording techniques and cool old U.K. gear you may want to give it a view.
best regards,
mike