heya ken!
i'm happy to be on this forum now! i've used logic, protools, tracktion, studio one, and reaper, and have been on reaper for the past few years. i pretty much treat a daw like a tape machine. after a few hours with sonar i can do most everything i need which is the fastest daw learning curve for me so far. i was also able to integrate and get my presonus faderport, audient id22 and softube console 1 all up and running and integrated in that two hours. i've never had that turn around time with the other daws, although i really do dig reaper.
i have used console 1 for an hour or so now and as far as i can tell i've figured out everything about the unit (i did read the manual), it's fully integrated, and it's awesome. after my initial confusion with it i find it's just as easy and fun to use as the video's make it look.
although i'm versed in the daw world, i'm actually quite a computer recording hater...mostly because i use computers for my non-music gig and it's enough computers for one day :) so, = for the past 5 years or so i've gotten into recording to tape. i rebuild old tascam 388 machines that i've found around the usa and they are alot of fun to record with. i love not staring at a screen when i record. the main problem with the tascam is it's a huge beast and it's difficult for me to deal with using the machine while sitting in front of a couple of microphones with a guitar in my hand. also the lack of eq precision / and having to print compression to tape is also ok but doesn't allow me to shape the sound as much as i'd like after i'm no longer trapped behind mics and guitars as the performer.
but this console 1 thing has me rethinking things... if i can find a simple transport that also shows the playback time then i can shut off the screen when i'm recording. yes!
if this works, i probably will still use the tascam 388 reel to reel, but now it will be acting as my mix down summing plug in :)
i plan to record, eq, compress and mix in sonar with console 1 (which gives me the tactile feel of these sweet old channel strips) and then i'll dump everything out in 8 stems to tape, using the channel inserts of the 388's mixing board so i can sum analog.
i'm wondering if i'll find i no longer need the tape machine or analog summing at all? i'm guessing that won't be the case and i'll still enjoy using it a bit, especially with daw processed tracks that can push the tape inputs to it's limits with out overloading the machine. the 388 is finicky as it's a 1/4" tape machine that doesn't do the tape saturation thing like a larger format tape machine, but if you get the levels consistently in the sweet spot it sounds surprisingly soft and lovely on the ears. perfect for acoustic music with daniel lanios-ish soundscaperly electric guitar accompaniment. i'll create a separate thread if i have permission to post results of such daw / mid-fi tape machine collaborations.