Wow, a lot of interest and feedback on this track. When my friend writes lyrics, it allows me to concentrate on the ttack as a whole rather than stopping and starting when trying to squeeze it in and overall usually yields a more complete track. A lot of interesting comments;
Seems to be a strong emphasis on the piano sound (
Lynn,paulo,daryl etc), as far as Im aware I think I went for a upright piano sample and high pass filtered it a little more on the choruses (since a lower cello line was used). When people mean depth are they talking about more bass and fuller sound, maybe more reverb.
Lynn, interesting comment, like ditch the piano sound all together and use an electric based sound?mmmm, thats an idea....
Makke, Darren & Robby, thanks a lot.
vechung, thanks. I think the piano is on time but suffice to say, since I did spot this myself, that an extra bar or two is needed before the piano outro (holding on to the chord for longer after the last chorus), I would add that in yes.
Reginald, I paying particular ears to your comments, since I've listened to your stuff and you have a nice touch with this genre. Regarding bassline, I actually had one in but didnt really like it. This song didnt really have a beat as such at the start but as I kept recording and mixing a natural groove eventually came out, so yes I agree a strong snare clap on the percussion/chorus and a bassline may help this stand out big time (slick website I may add too).
Really chuffed with that comment
Warren, I really want to be able to create a hit, getting closer but still not there unfort. Think I need help in order to fully achieve that.
I think overall, the vox are good on this which seems to be the verdict. Is there any part of the song that people think could be changed, or that didnt help the song/wasnt needed/not bothered with?
Thanks all,
Cian