I like this, Rob, but I like a lot of Mark's version better.
Vocals sound great slowed down, but I think it sounded better sped up.
Here is what bothers me: the ride is like RIGHT HERE, the toms are right next to them with little to no room feel, dampened beyond recognition, and then then the snare is recorded in an ampitheatre. Any of these approaches will work, but usually not together. And the highs of the kick is shaded right. Or is that a tom?