I happen to like Pro-Q. A lot. Another way to say "digital / lifeless" is "precise". It does
exactly what you tell it to, no more, no less. Measure the output with VST Analyzer and the curve is an exact match to what's displayed in Pro-Q's UI. It's exactly the "digital and lifeless" precision that appeals to me.
For years, it was the only equalizer I used. It's easy on the CPU so there's no problem throwing it onto every track if you want to. Its M/S capabilities and lack of coloration make it ideal for the master bus. The brilliant UI makes it easier to dial in than any other EQ I've tried.
Now, it may sound as though I'm trying to talk you out of selling Pro-Q, but I'm not. EQs are very much a personal choice, like buying a pair of gloves: they'll all keep your hands warm; their primary function is not the primary selection criterion.
Despite my affection for Pro-Q, it's no longer the only EQ I use. These days, my go-to equalizer is just as likely to be Meldaproduction's
MDynamicEQ. Not quite as light on CPU, and not as pretty or ergonomic as Pro-Q, but the dynamic equalization takes it into realms Pro-Q can't play in. I'm telling you this because MDynamicEQ happens to be on sale right now for $43. There is no better deal going at the moment.