2014/07/03 13:51:58
Moshkiae
Hi,
 
I was gonna invite Craig to take a trip on my car ... only about 50 CD's of MP3's with most of them having 4 to 5 albums in them, and the variety? ... ohhh my word!
 
NP: Hawkwind - Electric Tepee ... and FULL BLAST, TOO!
2014/07/05 09:33:47
davdud101
Actually I've been considering getting some stand-alone wave player. I have an iPhone 3gs but literally my 10 apps (music apps  like tuners and pitch pipes) and (ahem) decently-sized song library have filled it up. Whatchu using, Jan?
2014/07/05 23:47:06
davdud101
And I have to mention: Coltrane's Giant Steps (the song in particular) is brilliant. It's like it's constantly driving towards resolving to the starting key and then going past to 'try again'. And then there's his lovely tenor virtuosity... gosh, what honey. what honey.
2014/07/06 00:19:06
sharke
davdud101
And I have to mention: Coltrane's Giant Steps (the song in particular) is brilliant. It's like it's constantly driving towards resolving to the starting key and then going past to 'try again'. And then there's his lovely tenor virtuosity... gosh, what honey. what honey.




I remember reading a tip from a jazz guitar player (perhaps Larry Coryell) on how to think of the Giant Steps chords to make them easier to solo over. But I've completely forgotten what it was. 
2014/07/07 21:26:31
davdud101
Haha, after reading that reply, shark, I've been *trying* (let me emphasize, trying) to play a solo over that chord progression. For some reason, to the ear it sounds rather simple, but I realized I personally have to sort of fall INTO the next chord resolution over the chord triad, otherwise I'm stuck in the previous key improv'ing super atonally. I mean in the wrong key, of course.

2014/07/07 23:38:54
sharke
I think I'd just experiment with some kind of wacky sounding scale like an augmented or diminished which sort of worked over all the chords in an outside way. Then just go nuts with that one scale. And after all, since it's "jazz," nobody has the right to tell you it's wrong 
2014/07/08 00:58:59
Rain
sharke
And after all, since it's "jazz," nobody has the right to tell you it's wrong 




No one shall censor Spinal Tap when it comes to telling it like it is.
 
https://www.youtube.com/watch?v=PYSEQImJnNw
2014/07/08 01:20:52
sharke
Rain
sharke
And after all, since it's "jazz," nobody has the right to tell you it's wrong 




No one shall censor Spinal Tap when it comes to telling it like it is.
 
https://www.youtube.com/watch?v=PYSEQImJnNw




LOL! 
2014/07/08 09:17:50
Moshkiae
Old55
I'm not that big a fan of MP3's.  I found a player that I can load WAV files on and put them on a 32G SD card.  Thee's plenty of room on it and I cog an unexpected benefit in that I just copy the files--no conversion needed. 


I have not had issues with them.
 
My listening habits, are about the "experience", not anything else. The best music, for ME, induces visuals and many other things that make my mind trip like crazy. Sometimes it leads me to writing, other times it leads me to just closing my eyes and fly away!
 
The problem here, that I have been telling folks about, is that the "inner experience" has more to do with the music itself, than it does with how it got here. I couldn't CARELESS if it came by boat, or airplane, or spaceship! The important part of it is that IT GOT HERE!
 
I took a good listen to Steven Wilson's redos in KC, for example, and what he did had ZERO effect on me, and the same for his work on Gentle Giant. Sometimes, giving it the illusion that the bass guitar got moved 5 feet to the left does not necessarily change anything in the music at all.
 
It goes back to my earlier days in listening to music, and in specific the "Firebird Suite" and the 3 recordings that we had at home. They were the same piece of music, but the Bernstein interpretation is different than the Stokowski, from the Karahjan! But, even though the "accents" (as I call them) in different places, would seem to change the music visuals for me, because they are different, in the end, they didn't. I still had the same visuals, but the car was green instead of coral blue, for example!
 
I, HONESTLY, feel that we're not discussing the music, when we concentrate on is mp3 good or bad. Who gives a fart? It's the music that matters, and where you and I should be concentrated on, not the "result". This was the reason why I enjoyed, way back when, so many bootlegs ... because it had nothing to do with the fact that they were recorded on someone's shippidycrap hand cassette recorder, but the feeling and energy and emotion of the music and concert itself was priceless.
 
If you don't know the difference between the real thing, and the "recording", you are not fit to be a musician, but a technician or engineer on someone else's music. You can't be in the 4th wall and outside and inside at the same time. These are "polar" opposites!
 
Or as the Firesign Theater used to say, how can you be in two places at once and nowhere at all, at the same time? You CAN'T! And this is what I was trying to convey to RAIN when he was busy "channelling" that piece of music he talked about. Stop 4th walling it. Stay inside and get more of it out! That's your ONLY secret to life in the music!
 
2014/07/08 17:55:59
davdud101
To be honest, I've come to a point where (to an obvious point) I don't really mind lower-quality recordings and stuff. It IS about the music, being able to celebrate that... I mean, good production and good quality definitely helps that, but being able to put the appreciation of the music first always makes listening more enjoyable.
 
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